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A'ohe Mea 'Imi a Ka Maka is mostly a standalone episode that has no bearing or connection on the greater show or past revelations of character backstory and motivations. The crimes investigated are secondary to creating an entertaining, creepy tone. The episode might not have the most original set of mysteries, but it is fun.
Buckle up for a spooky ride that starts, as half of all scary stories do, at summer camp. In 1982, young Jerry and four of his friends were breaking curfew to roast marshmallows, and Jerry regaled his pals with a tale of an ax murderer in those very woods. Clearly, the aforementioned murderer was hermit Bo Bradley who lived nearby. Jerry’s pals Crystal, Eric (recurring guest star Andrew Lawrence), and Ano are bored by his story, which he insists is true. Apparently young Jerry is a little dishonest.
Noelani joins them with some specialized equipment to help the search. They uncover a bone, but it is revealed to be canine. Jerry doesn’t want to give up, remarking on how some killers have been known to bury dogs on above their victims to ward off discovery. His friends bail, though, as it starts to rain. Noelani has to get the equipment out of the storm. But Jerry remains behind, frantically continuing to dig through the storm. The others return to their cabin and soon discover their keys and phones are missing. (No way I would have left those articles behind!) Noelani confidently tells them she puts her under her pillow. They are gone too. Everyone is annoyed with Jerry, as they assume he trapped them there. Jerry then appears himself, with a cinematic backdrop of furious rain and lightning. He has a different bone…..this one is human! Oh, but he didn’t take their things.
On that note, a man appears in the doorway with a mask brandishing an ax. It’s a suitable jump scare. Just as you realize it’s a bit too cheesy, the mask comes off, and it’s their fourth friend Gordon. He was late to the get-together and couldn’t resist pranking his pals. Their keys and wallets are in his car. Gordon goes to get them. Everyone is clearly still on edge. They are irritated when Gordon comes staggering back, clutching his throat, with blood all over him. Noelani quickly realizes it’s not a prank. The real murderer has returned. Up to that point, I was completely expecting the murderer wouldn’t put in an appearance but they would just reveal him later on a screen or something. They quickly barricade themselves in, but the murderer decides to burn them out. Jerry tells his friends to escape out the window, while he creates a diversion out front. He runs out to face the murderer, only to lose the upper hand. Thankfully, a shotgun blast from the real Bo Bradley saves the day. Jerry and company unmask their villain and see their old camp counselor. (Much like a classic Scooby-Doo episode, he was identified early on in the episode when he mocked young Jerry to a police officer for his “imagination getting the best of him.)
I think that, especially with Danny being gone, this episode missed a chance to focus more on the bond between Tani and McGarrett. That would have helped make that ending note more somber, since now she will have to tell him what she found. It could still play out with a solid emotional backbone, but they could have reinforced her internal conflict a bit more.
Also, that Sadness/Velma confusion bit was clever, even if it's strange that Jerry would think Sadness first over Velma. He's totally a kid who grew up watching Scooby-Doo!
Will and Grace discover old letters written to each other from their college days, and decide to read them together. But reminiscing about the past turns ugly when a major bombshell is revealed in one of the letters. Meanwhile, when Karen announces she'll never fall in love again, Jack channels Rosario - or does he? - to convince her it's never too late to find love.No matter how much you've grown up, Will & Grace will always be the same. Just a little bit mature and sarcastic and modern. Season 10 has started with a melancholic tone: Will and Grace are finding love again, Karen is divorcing, and Jack... well, he's always looking for another man to sleep with. Episode 4 of season 10 is truly nostalgic.
While Will and Grace find a box of memories with all the letters they used to write to each other, Karen is upset because of her divorce, and she thinks she's not going to fall in love again. Jack wants to prove himself he's a real psychic - to quote Patrick Jane from The Mentalist, does he know there's no such things as psychics? But the episode wants you to believe in magic, and avoid being realistic.
When Jack finds Rosario's red coat, he puts in, and suddenly starts to talk like the former maid. Sean Hayes and Megan Mullally give one of their best performance and prove, one again, they're not supporting characters anymore.
Meanwhile, Will and Grace solve their complex dynamic. He was the one always ready to apologize to her, while she was there to listen, or at least pretend to, while thinking about herself. Eric McCormack and Debra Messing played a very emotional scene and they really got me. "The fact that you are a gay man didn't ruin my life- It made way much better." This was a sweet line.
The atmosphere was kinda beautiful through the whole episode. I both laughed and cried. I really hope we could see more of Will, Grace, Jack and Karen in the future.
Now it's your turn: are you enjoying this season? Share your comments below.
When Jack finds Rosario's red coat, he puts in, and suddenly starts to talk like the former maid. Sean Hayes and Megan Mullally give one of their best performance and prove, one again, they're not supporting characters anymore.
Meanwhile, Will and Grace solve their complex dynamic. He was the one always ready to apologize to her, while she was there to listen, or at least pretend to, while thinking about herself. Eric McCormack and Debra Messing played a very emotional scene and they really got me. "The fact that you are a gay man didn't ruin my life- It made way much better." This was a sweet line.
The atmosphere was kinda beautiful through the whole episode. I both laughed and cried. I really hope we could see more of Will, Grace, Jack and Karen in the future.
Now it's your turn: are you enjoying this season? Share your comments below.
Complete Spoilers Follow
Backing up from that devastating scene, the fate of South Comm rests on Jeter and Swain's shoulders, the two people who manage to hide when the attack happens. Swain is on top of things, calling 9-1-1 before the phone lines are cut and hacking into a webcam so they can see what Octavio's people are doing. Octavio's plan is to get the President out to make a speech to the whole world about the US lied and withheld the cure and caused the famine. Down in Colombia, Gustavos invites his generals over for a surprise viewing party. None of them knew about the attack. They are very concerned about being left out of the loop, and there are not enough snacks. Still, it's not exactly a little thing that Octavio has pulled off. Gustavos then reveals he just wants Tom Chandler. Slow your roll, Captain Ahab! Everyone is more than a wee bit surprised to find out that Gustavos has turned his quest for global "liberation" into an ego spat. Chandler, however, agrees to go alone to a ship, in exchange for the hostages being released.
Chandler, of course, has exactly zero plans of turning himself over. He takes the small boat out, with a torpedo on board. They hope the ship he's being sent to is the elusive battleship. It's not, but it's still a good-sized destroyer. As he sails that direction, Wolf, Danny, and Burk use the replica South Comm that Octavio's team built to try and figure out a way for Jeter and Swain to take out Octavio's team. This leads to a very exciting, well-edited segment that transitions between their test run back in Cuba and the real thing unfolding. Up to that point, the episode has been frustrating and agonizing in the very best ways. And here finally there is victory. The most satisfying triumphs come after the most devastating losses. Even after hearing South Comm is safe, Chandler doesn't turn back. He gets the boat as close as possible and lets the torpedo go, blasting the other ship into pieces.
Hector (who I have almost lost hope will contribute meaningfully) gives Gustavos the bad news that they lost big time. Chandler returns to the Nathan James with a wee bump on his head, and Sasha admonishes him for nearly killing himself. He provides an always reassuring "But I didn't." They will run the war from the ship now. Also, the official press release says that President Reiss helped take back South Comm.
An episode full of nail-biting suspense and bloody bloody action like this one ends on a quiet note. Burk visits Miller, who has regained consciousness. They joke for a little bit.
"What am I going to do, Burk," Miller asks seriously.
"You're going to do what you always do. Break balls."
Burk starts reading to Miller, who drifts away into his own thoughts and traumatic reflections. The scene transitions from "The Old Man and the Sea" narration to Chandler walking down the hallway. Foreshadowing perhaps.
Last Thoughts:
The body count in this episode was and felt off the charts, which definitely created an effectively thick atmosphere of danger. Even the offscreen deaths had an impact. And there were so many of them too. One death that wasn't sad but still awful was Kelsey's. Octavio used her as a human shield.
Such a strong episode. I was alternately furious, gleeful, and scared. The action just kept going up, and up, and up, and up...along with my adrenaline. From Kara tersely reminding Chandler "There is no plan B, sir," down to the last second before he released the torpedo....every second was packed to the brim.
Last week, am emblem of Lena’s self-discovery literally hit her in the head, where her mind is, to quote Lena herself. Martin gushed about how she was no longer "Old Lena" and was ready to get back together. Lena, though, kept seeing signs that shouldn't happen. In "Asking For a Friend", Lena realized she was seeing signs for a reason.
It's been shown repeatedly that Martin and Lena aren't a good fit, that they haven't developed enough as individuals to be in a healthy relationship. It still came as an ice water shock when Martin lost his temper with Lena. Her words were blunt but honest.
“I think I lost sight of whether or not I still wanted you.” She asks him to be patient while she figures herself out and determines if he is the choice that is right for her. Martin verbally attacks her, scoffing at her needing more time to decide what she think. He calls her a "nutbag" and says he wants to sell the house. Yes, these two should not live together any longer. And it's going to be an uphill battle for the show to recuperate Martin's image after an outburst like that. "Don't skip ahead to us ending." There's no reason why they or we shouldn't.
The good news is that Lena makes this decision to not push forward with Martin. It comes after a drawn out subplot focusing on Mason trying to change himself for his girlfriend, who ditches him anyway. But pottery pal Toby is the one to provide the sharpest insight:
“That’s what love is. Ignoring your own instincts and putting someone else’s needs first.”
“That’s what love is???”
Arthur and Camille don't have a strong opinion on Martin/Lena's reunion, because they're too busy stalking Lisa Apple. They eventually confide in Maya, who straight out confronts Lisa. To her credit, Lisa has no time for these people's nonsense. Martin does come around later to ask the same question, and Lisa is thoroughly disgusted with him. (I would have rooted for a Lisa/Martin reunion, but right now I don't want anyone with Martin). She says she's not pregnant, which is probably a lie. There is no chance that any potential source of drama is going away so soon.
After such a well-executed pilot, the pressure cooker was turned up on this episode. And what a clever, joyous time it was. Peggy Cleary and Timmy found themselves locked in a game of chicken in a PSA on the dangers of plagiarism. Being a copycat isn't an issue this show itself has had yet, and it continues to carve out a special place on TV. The battle of Timmy and Peggy's Poem entertained and delighted.
"Those are racist grapes." He skips out for most of the episode, while the family eats a lettuce/mayo/grape concoction to use the produce before it goes bad. Later, though, Lawrence apologizes to his dad, after Mike explains how he always worries about making sure there's enough food on the table. That's all well and good and perfectly okay.
"You're no poet, and I know it." Frank makes it his mission to prove Timmy's plagiarism.
“You’re not a big user of the word doth.”
Joey educates Timmy on how to handle the situation. He is familiar with Peggy's tactics, because he caused the basement fire. Peggy has evidence of this, but she chooses instead to hint about it broadly, trying to push Joey into confessing. He tells Timmy that Peggy's goal is for Timmy to spill the beans so she can indulge in the "Catholic guilt trifecta": punish him, pretend he learned a valuable lesson from the experience, and feel good about her parenting skills. As long as Timmy doesn't give in, he'll be fine. Peggy, though, is not to be underestimated. She brilliantly messes with Timmy, suggesting he enter another poetry contest and giving him his favorite cake (without sugar in it).
Then Frank confronts Timmy with a big revelation. He has the proof that the poem wasn't Timmy's. Proof he found in a library book. Take that everyone who apparently said that Frank was silly for laminating his library card. It is truly the key to secrets. Joey and Timmy exchange a wordless thrill. Timmy then puts all the cards on the table. In a really great scene, he confronts her as she sews another guilt item (a new outfit for Knuckle). He lets her know that he knows she knows he copied her poem, but he also reveals that he knows she plagiarized the poem as well. Timmy announces he's decided to enter it in the contest and asks for her signature attesting that his work is original. "In the sight of God!" They actually walk the submission to the mailbox, and neither one blinks. But they do hold hands as they walk away, as Timmy's voiceover tells us he realized then how much they had in common.
Another important note: It's summer vacation apparently. It is smart to (hopefully) wait a few episodes before introducing school-related plots, as we need to be invested in the Clearly family's home life first.
This week's very relatable moment: Peggy Cleary coming in to kick her kids off the TV to do chores.
“Nothing bugged my mom more than seeing us happy and relaxed.”
Also, William has a paper route. In addition to playing the piano and being an avid reader, he is the only Cleary child with a job at this point. That kid is going places.
Young Sheldon - A Research Study and Czechoslovakian Wedding Pastries - Review - Poking and Prodding
A chance to collect a little extra spending money turns into a learning opportunity for the Coopers, and the spotlight escapes Sheldon to shine for a moment on Missy. Dr. Sturgis brings up a study that a university is doing on twins, with compensation.
Once at the university, the doctors speak with Mary, George, and Meemaw first to get insight into the twins' upbringing. They ask if there was anything unusual about her pregnancy. That question prompts this divine exchange.
"Nothing at all."
"You cried for seven months."
"Those were tears of joy."
"Kudos on the question 'Which train gets to St. Louis first?" He chirps that out matter-of-factly, and it's unclear if he's making a genuine compliment or being sarcastic. It's probably a mix of both. He proudly puts his smarts on display. Missy, however, approaches the situation differently. She asks personal questions of the doctor interviewing her, making style recommendations and outing the other doctor's crush.
"When you're not looking, he stares at your tushy."
The tests take a turn when they move away from facts to more psychological and personality-related elements. The twins are shown a series of pictures and asked to analyze what is happening. Sheldon reacts with disbelief and derision that he is being shown such silliness. He is frustrated when asked to theorize what is happening in the pictures and becomes rude. Sheldon demands to know why they aren't measuring his intelligence like they were with the written tests.
"There are different kinds of intelligence." The researcher counters. Iain Armitage perfectly times his reaction and delivery. Sheldon is positively aghast. He can barely speak, just managing to splutter out:
"Poppycock!"
"She's not at the party, so she must be bowling or dead." Looking at the monkey family and the succeeding pictures prompts Missy to make another observation. She talks about how her dad does football with Georgie, so "they're like a a team." And her mom and Meemaw always fuss over Sheldon, so they're a team.
"So no one's on your team," the researcher asks gently. Missy isn't really sad, as much as resigned to this. Earlier, Mary talked about how Missy never caused any problems like the boys did. Drama free, she fell through the cracks. Raegan Revord really sells this scene with only a few seconds to show Missy's vulnerability and loneliness.
Of course, with the parents watching, Mary reacts in the moment by letting Missy pick the restaurant for the family to eat at. Sheldon whines about not getting to choose, but Mary puts him in his place. It's satisfying, even knowing that this won't last. Sheldon and Georgie will always suck up the air in the room with their drama and antics, and Missy capable of taking care of herself will get overlooked. It's realistic and bittersweet for being so. But that's when Young Sheldon is at its best, when it looks at dilemmas like this through a humorous filter.
Somos la sangre. We are the blood. And blood shed is the steepest price of war. One beloved character very nearly sacrificed the whole enchilada in one particularly heroic, horrific scene. A good third of the rest were left in jeopardy with a cliffhanger! There was also a tank. Basically, the show isn't holding back a thing going into its final episodes.
When a tank rolls out of Camp X, it is certain to be bad news. That doesn't lessen the shock when Miller is awfully injured protecting a comrade. (In retrospect, the foreshadowing was present in "Warriors".) The Last Ship doesn't shy away showing the gory aftermath or Miller's distressing fear. Although the Nathan James's Helo crew swoops in to lay down some cover fire and evacuate Miller, there's no feeling of relief yet. When Burk sees Miller for the first time in the infirmary, he's momentarily overcome at seeing his friend like this. And so are we.
Chandler discovers the plan to infiltrate South Comm after they take Camp X (thanks to some help from Danny who gets control of the tank and Azima and Wolf's usual kickass professionalism), although it's too late to do anything about that. Out at sea, the Nathan James has to fire blind at the enemy battleship, with no idea if they made a successful hit. It still lurks out of reach, a formidable and possibly catastrophic threat.
Also, this episode was not entirely made up of edge-of-your-seat moments. Wolf and Azima continued their proud tradition of flirting while under fire. These final episodes might not have too much space to spend on relationships of all kinds, but every little bit is rewarding.
Side note: They keep bringing up Kelsey's daughter, so I guess it's safe to say that she will escape whatever happens next at South Comm and try to kidnap her or something? And don't ask me to comment further on her sandwich subterfuge scene, because I temporarily lost my eyeballs when they got stuck in the back of my head. No way I would have left that woman to eat a crumb in peace. Going back to thinking about Wolf and Azima now.
Hawaii Five-0 - A'ohe Kio Pohaku Nalo i Ke Alo Pali - Review - Hidden From Sight
The full translation of this episode title is "On the Slope of the Cliff, Not One Jutting Rock Is Hidden from Sight". That is an especially long title for an especially long episode. While I understand that the show must stall for time until Adam comes back and the Greer arc can continue, that doesn't mean the episodes themselves have to experience jet lag. But this one did, despite one meaningful B story.
"Why do you assume that I know every criminal enterprise on this island?"
"Is that a real question?" Good one, Danny Boy.
His contact leads them to the miner, and McGarrett gives chase over a structure that looks like a jungle gym, if it were made from rusty metal with a big open space full of churning blades. McGarrett promptly jumps in after the bad guy, despite Danno's protests. I am firmly with Danno on this one. Those things looked sharp. They were moving, and, even if they hadn't initially chewed up McGarrett and the other guy, Danno pressing all the wrong buttons at first to turn it off would most certainly have resulted in some injury. The dude talks, so they head out for a dive to retrieve the missing feet which have an orthopedic pin they can use to identify the victim.
He reminds McGarrett that he shouldn't always be so quick to judge people for not doing things the way he thinks is best. Danny also brings up how McGarrett apparently didn't want his help designing the restaurant menus. That last part is all that McGarrett acknowledges he listened to. But later he will put Danny's advice about Duke into action. That's what partners are for: to be ignored while doling out common sense that you secretly recognize is the best option but wouldn't dare admit it.
The diving trip turns up a big surprise: a second pair of feet. A woman's! Here's where things take a turn. It is discovered that the first person killed was mahu, a traditional Hawaiian term for someone "in the middle" who embodies both the male and female spirit. Fascinating cultural and social history here, but it's totally irrelevant to the episode. This person apparently had the same name as this guy's wife who was killed by a hitman her husband hired. We are meant to believe that the first person was killed in a case of mistaken identity, which seems insanely far-fetched. So the cheating spouse only gave the killer his wife's name but not like her address or favorite smoothie shop or license plate number or photo or anything. I am not married, so I haven't hired a hitman to take out my spouse. Bucket list items aside, this whole solution to the case was sloppy.
Aside from the case of the week, the secondary thread was Junior and Jerry escorting the body of a soldier home. Junior was curious why this young man he didn't know had selected him for this assignment. It was speculated that maybe it was because they had the same hometown. Jerry came along to honor a fallen friend of his own. He asks Junior who he picked to escort his body home.
This episode called for some endurance to get through, but it was all worth it for McGarrett calling Eddie "Edward".
Next up, this Friday, the HALLOWEEN EPISODE, and it's going to be significantly more engaging!
ABC’s newest comedy about a unique yet relatable family comes out of the gate strong. Is it saddled with a slightly tedious title and an opening sequence too much like The Goldbergs? Yes it has both those flaws. However, other than a truly lame line of dialogue and a somewhat tasteless joke, there are no other jarring weaknesses. It’s the 1970s, an era I am very familiar with. And by that I mean I have seen every episode of CHiPs, The Bionic Woman, The Mary Tyler Moore Show, and Wonder Woman. So I know everything naturally. Thankfully, this show isn’t about to lean on nostalgia, choosing to showcase its characters in the pilot instead. There are several of them, and I love that the pilot manages to give them all something memorable to do.
Fringe Knots:
Also, Frank’s commitment to blabbing is admirable.
("I'm sorry. I didn't hear about the priest part. I only heard about Eddie's secret girlfriend.")
Every scene with the boys crushing each other to get food is spot on!
Wendy literally looks like a Madame Alexander Wendy doll!
The United States searched for allies, while some surprising Gustavos backstory was unveiled, and a couple mysteries were raised.
Gustavos is something of a fraud. He's able to pull the wool over everyone's eyes, because the plague and the toppling of civilization have made it impossible for him to be exposed. For all his talk about Latin American oppression, he is in fact from the United States. As a young man, Gustavos fled, wait for it, a job "mopping bathrooms in Disneyland." He was a joke, mocked by the people he now claims to be leading to salvation and glory, until Hector Martinez took him in. This new information makes it all the more curious and perhaps implausible that Hector continues to follow Gustavos. Especially now that he has turned his power against civilians. We witness Gustavos having a little father-son outing to watch several people, including women and children, be executed.
"They're not boys. They're animals. Worse than animals. They're traitors."
In private, Martinez questions what is happening. Gustavos is angered by his doubt and his use of the phrase "my army." He has Martinez execute one of his own friends, after giving him a not-so-concealed warning. Gustavos also basically tells his wife that he doesn't need her fortune-telling gimmick anymore, which doesn't seem to please her.
"Am I your enemy now?" Martinez asks Gustavos that, and the other man says he isn't. But there's an implied threat being made, and maybe Gustavos isn't the only making it.
Naturally, Chandler did not die. He was wounded though and has to apply TV's favorite bit of emergency first aid: cauterization. I don't think I've ever seen it done using hot campfire stones before. Chandler makes his way to the rebel camp and finds out that Fuentes is their leader. This was surprising in a good way, as he seemed to have integrity during his conversations with Chandler on the Nathan James. However, Chandler still seems wary of him, which is only wise. They rescue Delta team from enemy fire and help retrieve the weapons. It's rather easy peasy, other than the whole plane getting shot out of the sky bit.
This episode might as well have been filler, even with the important developments and smooching, as any episode is that has time to watch a drunk guy urinate for a long time. We already knew there was tension between Gustavos and Martinez, so nothing new there. Meeting up with the Cuban rebels took about 20 seconds out of this episode's run time. And there was way too much Kelsi. I can't imagine that she has valuable enough information to justify her continued presence on this show. But we're getting somewhere.
Every time someone on Poldark frantically gallops across the gorgeous landscape, an angel gets its wings. A good many angels took flight in these episodes, as politics cast a shadow over the usual bustling and yearning and dying. Ross and Demelza continue to work on shifting their friendship into a stronger marriage, and a new villain slithers into town. It's all perfectly glorious.
"Can you bear it?"
"Could you?"
With the Parliament election looming, George Warleggan doesn't feel threatened in the slightest by his opponent. He's not aware that Hugh Armitage is dying, but his confidence stems from the threats and bribes he's doled out to the electors. Elizabeth is eager to get George back to London, away from Ross and all that entails. There's one scene where both Trenwith and Namparra households attend a wrestling match. Valentine winds up playing with Jeremy. Elizabeth and Demelza hurry to separate them, each one's expression containing a certain amount of fear. They both know that the boys will only resemble each other more and more. And George is already planning for his and Elizabeth's next child, although it's unclear if Elizabeth really intends to go through with this. For the times they live in, Elizabeth is old to be having a child. Valentine's birth nearly killed her. But having another child wouldn't necessarily dispel George's fears. What if that child were as fair as Geoffrey Charles? Elizabeth turns her attention to getting George reelected, and it's extremely awkward for them when he doesn't win.
"By dent of my own ingenuity."
It's satisfying at first to see George get taken down a big notch. But nothing motivates George more than being snubbed by the aristocracy. Yes, that's why George thinks he lost the election. Even though he's categorically the worst and loves to execute a starving villager, it's his new money that's distasteful. Jack Farthing is so amazing that he makes playing this cunning primadonna look effortless. George turns his attention to getting back to Parliament. 
Speaking of good people, Sam Carne challenges George's loutish gamekeeper Tom to a wrestling match as part of his latest attempt to reach Emma. However, Emma tells Sam that she hasn't a notion of repenting and will probably be leaving town soon as a maid. He handles it very respectfully. This man has really grown up from his soulless "fire and brimstone" days last season. Call me, Sam! Or send an owl. Drake meanwhile is resisting Demelza's attempts to match him with the babysitter. This love has taken its tool, but it's not about to burn out. Morwenna has her own battles to fight, with Whitworth and his mother trying to get her to relinquish her toddler to a governess. She is not having it. And her duplicitous sister Rowella reveals to Whitworth that she lied about being pregnant with his child last season. He looks utterly stunned to learn that a woman can be capable of such strategic falsehood! That doesn't stop him from rushing to her when she beckons. He is such a toad. But among the very few things Whitworth does well is listening to gossip. He brings a fat golden egg to George. Apparently Ross's banker may have gambled away a good portion of Ross and several other influential people's money.
"Strangers who know every inch of each other's skin."
There are few shows that fit so many elements into just a couple of episodes, but Poldark is one of those. It does very well too. Another set of wonderful performances, but Eleanor Tomlinson crushed it in that scene where she grieved with Ross. Don't get me started about Luke Norris either. When he held Sarah that second time, it was just too much for my tear ducts. I find myself rooting for all the marriages on this show, except Awful Ossie and Morwenna's. Hang in there, Drake! This season is just getting started, and there will be many more galloping horses.
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