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How I Met Your Mother - Season 8 - Craig Thomas Interview

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ENTERTAINMENT WEEKLY: Let’s start off with this limo scene.
CRAIG THOMAS: Josh [Radnor] and Cobie’s limo scene was one of those where it so much more powerful than you thought it’d be. That moment with Cobie and Josh, in a sense, was Ted was saying goodbye to Robin and saying goodbye to the possibility of getting her. He makes that sacrifice and supports her so she can go make one last Hail Mary pass for Barney. It’s almost saying goodbye to a whole future possibility that, in the back of his head, he always imagined. He knows it and she knows it. It’s like eight years of history sitting there between those two characters in that limo, and it was just really heartbreaking. It really hit them; they both started to cry. We weren’t pushing them to cry. It wasn’t written, ‘Now they cry!’ It just really hit them. So what you’re seeing there is them feeling that for their characters. It was just a real reaction that no one asked for and surprised everybody.

But it was an important moment for Ted to finally get there.
Then, Ted was an amazing friend to both Barney and Robin in that moment, but then seeing Ted standing alone there by that window looking out at the world and looking ahead, it’s definitely bittersweet. There’s a wistful feeling about it at the end. There are about five different moments in the episode where we all started crying. We’ve seen it 100 times now, and it keeps getting us. So hopefully everyone will like it.
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Let’s talk about this proposal. Why the trick?
To me it feels like a really appropriate way for Barney to propose to someone. We could have gone much straighter at it and had just had him propose in episode 3 of this season, but there’s something really fun, elaborate, playbook-y, and very “evil genius” about the way Barney put it together. [Laughs] He’s an evil but very sweet genius, I suppose. It’s very heartfelt and wonderful. The moment where he’s on bended knee and puts a ring on her finger is just super sweet. I hope people will be as moved by it as we were making it.

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