Mastodon Mastodon Mastodon Mastodon Mastodon The Vampire Diaries - The Simple Intimacy of the Near Touch - Review


    Enable Dark Mode!

  • What's HOT
  • Premiere Calendar
  • Ratings News
  • Movies
  • YouTube Channel
  • Submit Scoop
  • Contact Us
  • Search
  • Privacy Policy
Support SpoilerTV
SpoilerTV.com is now available ad-free to for all premium subscribers. Thank you for considering becoming a SpoilerTV premium member!

SpoilerTV - TV Spoilers

The Vampire Diaries - The Simple Intimacy of the Near Touch - Review

23 Jan 2017

Share on Reddit


At last, an episode that I can write a somewhat mostly positive review on!  After enduring an exhaustingly bleak, maudlin, repetitive eighth and final season of TVD, viewers were at last rewarded with an hour which, while not absent of flaws, at least passed muster.  Let's discuss!

Return of Miss Mystic Falls Unlike previous Season 1 callbacks that seemed to toy painfully with fans' emotions with little to no payoff (see for example: last week's visit to MF High, which weirdly yielded no satisfying nostalgia but a whole lot of exposition about Matt's family, ugh), finally we had a return to an old-school TVD scenario that felt genuine, deserved, and played well throughout the episode.  

I loved the perfect reproduction of the look and feel of the season 1 Miss Mystic Falls pageant, so fabulously evocative of the way this show used to be able to make us feel for the characters.  Putting the characters back in a setting replete with so many memories established that Caroline and Damon would be put through the emotional wringer, but Stefan was too far gone to do anything but take glee in their angst.
Stefan is still wholly determined to remain on his Ripper warpath, with his cold and callous treatment of Caroline and his unwavering insistence on trying to keep Damon bad as well despite his brother's continued inability to remain so.  It's enough to remind us why having the Salvatores humanity-free again, and in Damon's case, for quite so long, is problematic and repetitive story-wise. Yet although we've seen this Stefan-Bad-Boy situation before, it was pulled off much better in this episode than it has been in a while. As usual, Paul Wesley did a fantastic job of showing us what depravities Stefan is able to sink to given a simple flip of a switch, lavishing the nonchalant, unflappable meanness he shows with aplomb.  But unlike last week's episode, where the writing wasn't up to par with his performance, this wittier and more eventful script made Stefan's behavior more interesting, if still frustrating.

Meanwhile, Candice King provided him a perfect counterpart as she showed Caroline veering seamlessly from helping Damon fumble his way back to morality and laying down the law for the currently-evil Stefan.  Even though seeing Caroline give the engagement ring back to Stefan should be too reminiscent of when she did so just a few episodes back to actually work, her speech about how someday he'll remember what real happiness was (not fun, but happiness) was suitably heartbreaking and effective.  What worked even better than this part of the episode was the way Caroline coached Damon towards remembering his love for Elena.

The classic Caroline was in full force here: tough, brave, and an endlessly capable multi-tasker.
Along with having actual, real stakes and emotions that we could actually connect to, there was some fun to be had in this episode as well.  Seeing the gang all dressed up and back at the pageant was lovely, and Caroline's one-liners, like telling Damon that his "lizard brain" was struggling to reconnect with his love for Elena were on point.  However, what with all of the intentionally heart-twisting Delena flashbacks, Sybil's continued presence tended to switch back and forth between a forgotten hinderance and a serious annoyance.  Why is she still here?  Even worse is Seline.  I appreciate any and all chances to watch Caroline throw barbed retorts at villains, but that's about all that could be gained from the former nanny's irritating and boring presence.  The bell is such a silly and meaningless MacGuffin that it's hard not to zone out every time the characters start to talk about it again.

As far as I'm concerned, the only good thing that bell has brought to the plot is one piece of it giving Damon something nice and heavy to hit Sybil with.  Sure, this was pretty darn samey compared with his ripping her heart out the last time she tried to mess with his feelings for Elena, but this felt much more deliberate on Damon's part rather than the previous incident's haphazard, desperate cry for help within the disaster Sybil's made of his mind.

As much as I've despised the writing for Damon this season, it was awesome to see Ian Somerhalder finally get some good material again in this one.  Watching Damon trying to understand his own inner conflict was intriguing and engaging, and the idea of him finally taking some control over his situation was way, way overdue.

Now that Sybil, angered by Damon's tirade about her while he held her prisoner, has forced his humanity back on, Damon may be driven mad by the guilt of what he did while under her control.  The preview for next week is giving me a little bit of a vibe like last season's Civil War Hell World tangent, but let's see what they do with this development.
What if Enzo could take the cure? Bonnie and Enzo returned from Paris in a blissful love bubble destined to be popped by the problem hovering over their relationship: Enzo is immortal, and Bonnie is not.  She will not drink Enzo's blood and become a vampire because that means that Elena would never awaken...but if that wasn't the case, she would do it.  I really liked the way the writers reinforced that one reason why this relationship works is because Enzo respects Bonnie's decisions, even when it is hardest to agree with them.  With Bonnie unwilling to accept the temptation of wearing Enzo's blood in a necklace in case she's ever mortally wounded, the only real solution to their conundrum does seem to be my old dreaded plot device, the cure.  In this case, though, it might be the only way to ensure that Bonnie and Enzo, and Elena, all get their happy ending.  Bonnie is ever selfless, but now she finally has someone there fighting for only her, whose first priority is always her, and it poses a new challenge while also showing that the love between these two is admirable and strong.  

Although Bonenzo has again and again proved to be one of the few consistently great aspects of Season 8, it would also be very cool if Bonnie could get some storyline action going on in the main plot of the show, using her hopefully soon-to-be-restored magic powers to save the day!  Furthermore, I know I'm not the only one missing the Damon and Bonnie interactions on the show, a friendship that was such a huge part of the last couple of seasons.

Overall thoughts: We're far from back on track, but this was a welcome shift back in the right direction.  The villains and mythology are still not clicking as they should, but the main characters are starting to get their groove back.  If we could make this much progress in one episode, I'm cautiously optimistic that the last batch of installments may gradually make their way to where the show needs to be by the finale.

What did you think of this episode?  Share your thoughts in the comments, and be sure to catch an all-new The Vampire Diaries, Friday at 8/7c on the CW.



About the Author - Virginia Mae Fontana
Virginia is happy to be reviewing The Vampire Diaries for Spoiler TV. Fantasy, science fiction, mystery, and romance are her favorite genres, especially when they collide! Some of her favorite current shows aside from TVD include The Originals, The 100, The Flash, Supergirl, Legends of Tomorrow, Arrow, Blindspot, Quantico, Doctor Who, Killjoys, and Dark Matter.

You can find her blog, a night to remember, at http://helplessteenageheartilostthatnight.blogspot.com and her Twitter handle is @VMaeFontana
Recent Reviews (All Reviews)