Mastodon Mastodon Mastodon Mastodon Mastodon Revolution 2.10 "Three Amigos" Review: Roadtrips and Surprises


    Enable Dark Mode!

  • What's HOT
  • Premiere Calendar
  • Ratings News
  • Movies
  • YouTube Channel
  • Submit Scoop
  • Contact Us
  • Search
  • Privacy Policy
Support SpoilerTV
SpoilerTV.com is now available ad-free to for all premium subscribers. Thank you for considering becoming a SpoilerTV premium member!

SpoilerTV - TV Spoilers

Revolution 2.10 "Three Amigos" Review: Roadtrips and Surprises

14 Jan 2014

Share on Reddit
    Revolution returned from the holiday hiatus with “Three Amigos” written by David Rambo and Anne Cofell Saunders and directed by Charles Beeson. The episode doesn’t feature any big action sequences or major reveals but does set up the second half of the season with some intriguing possibilities. While the story threads started in the episode have me interested to see where we’re going, I wasn’t entirely satisfied with the episode.

    My major complaint about the episode is that we have our main characters separating yet again and for pretty flimsy reasons. Miles (Billy Burke) is barely back on his feet but insists on going with Monroe (David Lyons) to find his son? Not to mention he drags Rachel (Elizabeth Mitchell) along against her better judgment – and for once she is displaying better judgment! But to top it off, he leaves Gene (Stephen Collins) – the doctor who could help him if he relapses, because remember, he’s still sick – and Charlie (Tracy Spiridakos) – who is one of the better fighters. What? It was kind of cool that Gene used very old school medicine - maggots anyone? - to cure Miles' infection though. Meanwhile, Aaron (Zac Orth) runs off on his own and walks all the way to Oklahoma from Texas in the time it takes Miles, Monroe, and Rachel to ride to Mexico. We know it’s a dangerous world, so striking off on his own like that is very risky, yet he has no encounters worth mentioning until he arrives in Spring City? Okay. Those were my major quibbles.

    It does make sense that Aaron is now obsessed over uncovering what the nanotech is up to as he clearly feels guilty over Cynthia’s death. He is determined now to follow her advice and figure it out as her words – “everything happens for a reason” – ring in his head. I wonder if we’ll see her consciousness come back to Aaron through the nanotech – somewhat like the AI girlfriend in Her? It was a nice surprise that the nanotech did lead him to Grace (Maria Howell).

    I am a bit curious about what they are doing with Gene. Suddenly, he is totally shocked by Charlie killing people. I think Spiridakos is doing a fantastic job with Charlie this season. I know a lot of people found the character irritating last season. While I liked the character last season, the fact that a fairly sheltered teen was telling the battle-hardened adults what to do did rub me the wrong way. The show has done a great job showing how much Charlie has matured. Last season we really did see the character affected by the killing she did, but she has been through a lot of combat since then. I think Spiridakos does a great job demonstrating that Charlie accepts what has to be done, but I don’t see her as a hardened killer. It really doesn’t make sense for Gene to be this surprised by what Charlie has had to do to survive – he’s certainly done a lot of questionable things himself. I loved the scene when Charlie turns to him and says, “You asked for my help. What did you expect?”

    Truman (Steven Culp) is back in this episode after strategically missing going up in flames with his fellow soldiers. I liked the subterfuge of the wagons, making us think it was weapons, then making it look like maybe the Patriots were actually doing a good thing. But what were they injecting into those oranges? Something to make the population more compliant? More of the acid they use on the soldiers-in-training?

    The heart of the episode really focused on Monroe finding his son. I did really enjoy the journey too, however. I loved Rachel pointing out the irony that she was being forced to help Monroe find his son when he was the one to kill hers. All three actors made that scene a standout. It was also fun to watch Monroe take the wagon they were on. Rachel thinks it’s time to make a move, Miles is waiting for the perfect time, and Monroe just does it.

    The show did a brilliant job in casting Mat Vairo as Connor. He both looks and sounds enough like Lyons to be his son. Their scenes together were simply fantastic. I loved Monroe just going off on him until Miles dryly gets his attention and points out that the guy he’s just called the whitest Mexican in Mexico is his son. Connor is shocked as his mother told him his dead father was a mechanic from East Lansing (an obvious tidbit from Kripke’s mid-west background – Lansing being in Michigan – and the patriarch of Supernatural being a mechanic from the Midwest too (and also dead!)). Connor is clearly the head of the punks running the little town in Mexico and thinks he’s a big deal. He is clearly shocked to hear that his mother is dead and blames Monroe. He refuses to believe Monroe is who he says he is at first.

    Miles and Rachel want to leave, but Monroe refuses to give up even though he describes Connor as “a punk with delusions of grandeur.” In another powerful scene, Rachel pretty cruelly tells Monroe that it didn’t matter who raised Connor he was Monroe’s son, so he was bound to turn out that way – just like his father. Monroe lashed back saying that by the same logic, Charlie must be going to end the world. This also nicely points out that genetics is only part of the equation – though we have seen a change in Charlie too.

    In an equally cruel scene, Miles tells Monroe that Monroe was never going to be “some normal kind of dad that was never in the cards for you.” Monroe is clearly hurt by Miles also painting him as having always been irredeemably bad. Remember that when Monroe was first going to be a father, it was the death of his wife and baby that sent him over the edge. It’s very possible that Monroe would have been a much different person had that not happened.

    In their second encounter, Monroe tries to break through to Connor. He wants to reclaim his republic and make it a dynasty. He dangles the promise of more power in front of Connor. However, Connor refuses to believe that Monroe can make good on it as he’s already lost the republic. When Connor asks about his mother’s death, Monroe does a great job in subtly laying the blame at Connor’s feet, telling him she died asking for her son. Connor seems a lot more interested in exacting revenge on the person he holds responsible for his mother’s death than bonding with his new found father, and has turned him in to the man really in charge of the town. Of course, this leaves Rachel and Miles to rescue Monroe.

    The episode also takes us to the White House. What exactly does Allenford (David Aaron Baker) have in that briefcase? Whatever the file is, it has Horn’s insignia on it and when Jason (JD Pardo) manages to get a look in the file, he looks shocked. Does it have to do with the nanotech? Charlie? His own re-training? Whatever’s happening with the oranges? Whatever it is, Allenford is certainly nervous about it the entire episode.

    A really interesting dynamic is blowing up between Julia (Kim Raver) and Tom (Giancarlo Esposito). Raver and Esposito deserve a special shout out for chewing up the screen in this episode – they are definitely the couple you love to hate! Julia is clearly enjoying herself as she climbs quickly up the social ladder and she’s not afraid to use Tom to further her own ends. Tom is clearly jealous of her being farther up the ladder than he is and her sleeping with Doyle (Christopher Cousins). Tom is also wary of trusting whether Julia is doing what she is for “them” or just for her – I’d be wary too, Tom! Tom, of course, is helplessly in love with her. When his attempt to kill the Secretary of State is thwarted, Tom risks even more to sneak into his room and overpower him to do it. I can’t wait to see if Julia really is going to manage to get Tom promoted or whether she’s going to just enjoy her own new position.

    While there were a few things about this episode that bothered me, overall, I thought it did a good job in setting up a number of plot threads for the second half of the season. Which plot has you most intrigued? What’s happening with the Patriots? Aaron finding Grace? Monroe finding Connor? Will Julia support her man or find support in any man she can? Let me know your thoughts in the comments below.

18 comments:

  1. Good review of an episode that was definitely better than the fall season finale, but still sloppy in the ways you pointed out. I liked the inversion of the current cheap labour flow--day labourers wanting to get into the Mecca of Mexico lol! Agreed that Monroe Jr looks a lot like dad--so much so that Monroe not immediately recognizing him seemed a tad contrived.

    ReplyDelete
  2. I feel the writers lost a huge opportunity with this episode. I know that they are all about promoting the Miles/Rachel relationship now which does nothing to the storyline or even to the consistency of the series (didn't Rachel hate Miles in Season 1 and now she suddenly has forgiven him for everything?)
    In my opinion, this episode could have been much stronger if Charlie had gone with Miles and Monroe. Charlie can snarl as well as her mother at Monroe, and she would have made more sense to be the voice of reason to keep Miles and Monroe from killing people (didn't she keep Miles from doing so in Season 1?). She is also an awesome fighter now who probably is a bit handier to have around than her mother.
    Rachel, on the other hand, could have gone with Aaron to find out more about the Nanotechs. Isn't she the scientific one of the gang who knew so much about the tower and what went on with the power? So you'd think she would be interested to find out as well what is going on.
    Re-reading this makes me really wish they would toss the idea of the Miles/Rachel story and continue to develop each of them on their own...it would be much better for the whole series in my opinion.
    Just my two cents though :). I love the series and it's pure entertainment for me..but I wish they kept the characters consistent between both seasons.

    ReplyDelete
  3. I think the oranges contain a pathogen which the Patriots will use as a means of gathering loyalty like they did with Gene by providing the only cure. I also believe that's what Jason stumbled upon. The episode after the one tonight is called Captain Trips, which is the name of the fictional plague in Stephen King's The Stand, which I believe supports this theory. I agree with your assessment that Charlie should have accompanied Miles and Monroe, but I can see why they would leave her as protection for Gene. The only part of the review that I didn't agree with was Monroe's motivation for explaining Emma's death like he did. I don't think he was trying to assign blame...just deflecting the question as he didn't want Connor to know about his role in her death.

    ReplyDelete
  4. Thanks - loved that too about Mexico. Ah - but I think Monroe not recognizing Connor is not recognizing (or not wanting to recognize) how much like him Connor is... after all, he calls him a delusional punk...

    ReplyDelete
  5. YES! I agree SO much with what you say here. I'm just really not buying into the Rachel/Miles romance - especially based on their inconsistent history. How about tell us what happened during Rachel's very long captivity?!?!

    ReplyDelete
  6. Right, but that's why Monroe's delusional too, because he doesn't recognize himself in others, because he doesn't even conceive of having any real faults. ;)

    ReplyDelete
  7. Great theory about the oranges - I suspect you are bang on there. I also agree about Monroe's motivation for deflecting the question - I guess I just thought that was obvious implied by what I said - which it isn't! Monroe isn't stupid, he doesn't want to alienate Connor in any major way before he can win him over after all...

    ReplyDelete
  8. Another great Review Lisa!




    I disagree about it being too flimsy, perhaps contrived, but contrived is what a fate orientated/collective conscience leading (nanites) universe is...


    But in the last episode Miles finally professed his love to her (we got drift because of how the flash back at the airport was contrasted with other scenes that he regrets lying to her....that she had always been "the one".) So I think it makes sense that Miles is now again worried about being such into "the big black hole" (Miles has killed a lot of people) he had referred to Monroe as sometime at the beginning of the season and he believed Rachel being there can remind him of what's important.


    I also think it makes sense for Aaron to just take off, because he's done it before (Priscilla) -It's true to Aaron. --and it's obvious the nanites want him to go to Oklahoma to unravel the "ball of twine" mystery. (at least this time he isn't running away from something, he's running towards something)


    I'm also glad to see Charlie get some alone time with her grandpa, because this relationship has potential to help heal both their relationships with Rachel and close a generational Gap. I just hope it doesn't also mean that Gene is going to die soon...At any rate I like to see different characters be together in different sets from time to time.




    Jason I believe found more military training programs and in conjunction to Neville's poisoning, I'm pretty sure their subplot is meant to reflect "the poisonous fruit" in Texas, as also a possible new Monroe Republic was dropped in this episode too, all point to "Psychotropic drug reprogramming centers" like the one Jason just experienced and like we also know the former Monroe Republic had, which again may (in theory) be why Miles believed Rachel to be dead.


    I suspect that another Monroe Republic will exist, but I think it will be run by Conner and he will cut Monroe out....My first impression is that he is more blood thirsty than his father was/is.


    My favorite thing in the episode was Aaron coming across Grace. For one thing, she's the reason he left with Charlie and Maggie to begin with. Another is that she is one of the few that also has a pendant, which makes me wonder if pendant holders are all perceived as "parental figures"? (It's also not like she wasn't there at the night of the Tower too) It's also a nice realization that we still don't know how any of them escaped Neville's raid that night either, so I think all these things are building towards that as well. Seeing here like that in the middle of desolation and after SO long was such a LOST moment! I wasn't expecting to see her again at all!




    I think Tom is def going to have to watch his back with Julia!! -I'm wondering if she crosses him, if she'll survive his rath?!

    ReplyDelete
  9. But now we know they were having an affair and that scene at the airport would be a year before Charlie is born, let alone the build up about how Rachel was looking at Miles more than Ben at the wedding...


    I have always bought their romance the minute they switched Mitchell out for Roth and killed off the other blonde 'doctor character' Lisa Marie Philips, that this is what the series intended.


    I agree through that those missing Monroe years are important years, but like LOST, this about seeing everything unfold over time and seeing how the past relates to the future as part of the mystery of life.

    ReplyDelete
  10. Nice theory! I had forgotten about King reference!

    ReplyDelete
  11. lol! True!

    ReplyDelete
  12. I know that the show intended the Miles/Rachel romance (I knew it when Miles first learned that Rachel was still alive), but that doesn't mean that this romance will work or help the story which really is my point. It makes both characters quite boring which is a shame as I thought Miles and Rachel were the most interesting characters of the show. Sorry, but I don't find Monroe one bit interesting..he is the typical stereotype of a man who blames everybody but himself for what he did or still does.



    Season 1 was full of innuendos of what happened when Rachel was Miles' prisoner and how badly he treated her. Season 2 so far has only shown that both had a thing before the blackout which we already knew about from Season 1 as well. If they were to show more of what happened during the captivity and let both characters deal with that part of their relationship, this whole story line would make more sense. Rachel is not the most forgiving character on the series, yet she has conveniently forgotten what happened to her during her captivity? I just don't buy that..sorry

    This season, they are trying to paint Miles and Rachel as this unlucky couple, who finally is getting together..this Romeo and Juliet theme might work for some, but given the history between these two characters and their love/hate relationship it's really a hard pill to swallow that all is well now just because Miles said that she has always been the one.

    ReplyDelete
  13. "I know that the show intended the Miles/Rachel romance (I knew it when Miles first learned that Rachel was still alive), but that doesn't mean that this romance will work or help the story which really is my point."


    It does help the story "if" Charlie is either Miles' or Bass' daughter.
    For the Miles being her father it works well because it would then be his daughter that comes to 'save' him and starts him on his redemption arc (in the first season it was more implied that Charlie was the one leading these people back to each other -that she was where the hope is, where as now the first part of the second season is giving Aaron more of that role).



    For Monroe being her father it makes it so that "this family" (Monroe/Matheson) is forever connected. (which they could also do should they follow a Charlie/Conner romance, but IMO is not as effective, as if would be if they were blood related. -Loose a brother, gain a brother)


    They ARE an unlucky couple who finally maybe able to be together, because this thing with the nanites (and Charlie) is about "course correcting" the past on multiple levels. Revolution means to 'change power' or 'to turn around'...These people and the love that they feel together are now all brought [back] together, because it is them that can maybe make this world a better place, eventually. It might not be everyone's cup of tea, but to me something like this is given. And Shakespeare's play is considered a classic because it has elements that are familiar to all of us, which IMO is what a lot BR works try to do and why there are so many allusions/references to things with in them. It's these things that make us human.


    I don't think Rachel's hate of anyone (Miles, Bass, ect) is just about hate for other people, it's about not talking responsibility for her own actions and using others as an excuse to deviate from herself, (very similar with Aaron, except she doesn't fall to pieces the same way he does, instead she tends to try and 'take control' of the situation) but I feel (or at least hope) like we hit a turning point with this after "Everyone says I Love You"




    Despite all of their continuous losses and bad decisions, there is still hope for them in each other and what has been created.

    ReplyDelete
  14. Good review, I agree with most of your observations. I think the show is suffering from having to many storylines. I was expecting the main characters to all be interacting by mid season, instead we now have four different stories going and for myself, at least, that means I only watch about half the show. I couldn't care less about the Aaron/nanite or any of the Nevilles story lines.

    I do have to strongly disagree on the casting of Matt Vairo as Monroe's son. Or more specifically, I have to object to the producers thinking we are all idiots who don't have a clue on how genetics work. For a character that is SUPPOSED to be the child of two blue eyed parents, one with red hair and the other a dark dirty blonde or light brown hair coloring, Matt just doesn't fit the bill. Seriously, doesn't the show have a hairdresser that could have lightened Matt's extremely dark hair??? And what about some blue contact lens? I almost think the producers are hoping we the audience have forgotten what Emma looked like considering that Connor looks more like how a child of Monroe's and Shelly would have looked, had it survived.

    ReplyDelete
  15. LOL - you could say the same for the casting of any child on any show! In fact, on Supernatural they cast they cast the younger version of the father with blue-blue eyes when the older version has brown! I think that the point is the general features and the demeanor - I'd rather have them cast the best actor than find someone to completely fit the genetics bill. I'm betting most people don't realize that either.

    I definitely agree about splitting everyone up yet again - though I'm wondering if they will all be back together sooner rather than later now...

    ReplyDelete
  16. I can't wait for Tom to kill Julia...

    ReplyDelete
  17. Actually, I was disappointed in the casting of Mat Vairo because I thought they did a fantastic job of casting the young actresses who played the younger versions of Charlie at the ages of 6 and 11. And even the young actor they cast to play the young Jason in the flashback scenes I could see as being a younger version of JD Pardo. So it is possible, and they've do so with success before.

    I think my biggest gripe with the show, however, is the split story lines. I don't care much for the Neville story line, or the nanite story line. However, if they were more intertwined with the overall narrative of the story, I might find them less objectionable. However, as it is, the show has too many stories going and nothing feels cohesive in the presentation of the over arching story. In fact, I'm no longer sure what the major story is supposed to be!! Is it the Patriots? Is it the Nanites? I haven't a clue.

    I WANT to love the show as much as I did last year. I WANT to have the show conclude at 9 pm and want to immediately rewatch it off the DVR. I did with every episode last season; the show would conclude at 11 pm and I'd instantly rewatch it, so I wouldn't miss anything while it was still fresh in my mind. I have felt compelled to do so only two, maybe three, times this season. Then again, why should I? It's the same storyline every week...someone gets captured and has to be rescued. The show is called Revolution, not "The Great Rescue, Over and Over Again."

    It's still a must watch show for me, I still have it set to automatically record in case I have to get home late from work, or some other conflict with the earlier time slot. I want the show to be renewed, because I want to reconnect with it again like I did last season. I'm just doubtful that is going to happen. And it's a shame, because the show had such promise.

    ReplyDelete
  18. Now, THIS idea I can get behind...I've never liked Julia and if she somehow ends up dead at Tom's hand, well, he's already rather unhinged, and that would just totally push him into looney tune time.

    ReplyDelete

NOTE: Name-calling, personal attacks, spamming, excessive self-promotion, condescending pomposity, general assiness, racism, sexism, any-other-ism, homophobia, acrophobia, and destructive (versus constructive) criticism will get you BANNED from the party.