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Revolution 1.04 Review of The Plague Dogs

9 Oct 2012

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           The twists keep coming on Revolution, and the series had its first major death this week. This episode of Revolution really felt like the show was hitting its stride. I’m starting to really want to know what’s coming and the pacing of the major story arcs is excellent. The use of flashbacks was particularly well done in this episode. “The Plague Dogs” owes that pacing to writer Anne Cofell Saunders and director Felix Alcala.There are some great parallel scenes and well chosen shots to frame them.

            The episode begins in medias res with Charlie being pursued and captured by a militia soldier. It’s quickly revealed that she’s only acting as bait so Nora and Miles can capture the soldier for news about Danny who, it turns out, is barely a day away at this point. We then cut to Maggie and Aaron who are waiting for the others at the rendezvous point. Maggie is worried.

            We then cut to the first of a number of flashbacks which take up the theme of this episode. The flashbacks centered on mothers this week, and what mothers were willing to do for their kids. Fathers also played a part in the episode though, as families were once again front and center.

            The Maggie flashbacks were particularly poignant. I hadn’t really had a chance to grow very close to the character except to instinctively like her cool competence and to feel a knee jerk reaction to how badly Charlie treated her. The flashbacks made me very sad that we lost this character – it felt like it was much too soon. The first flashback shows Maggie skypeing with her kids. She’s in Seattle getting ready to go out somewhere, and the kids are home in England with their Nanny, wanting Mom to read them some Wizard of Oz when the power goes out. The last thing she says to her kids is “No.”  And then the lights go out... and Maggie is thrust into an alternate universe that is devoid of color – or at least has no power. Not surprisingly, her final contact with them increases her guilt at being separated from them.The other flashbacks show how hard she tried to get back to them, walking all the way across the continent and then up and down the Eastern seaboard with no luck at finding a ship. We also learn in this flashback that there are no ships left and why. Either the militia took them or they were destroyed for firewood. The time it takes her to do this and then to wander back to Wisconsin where she finally loses hope and is about to kill herself when Ben finds her, is illustrated by the fact that Charlie is older when Maggie first meets them.

            Perhaps my favorite scene from this episode is Maggie very calmly informing everyone that she has severed an artery and is bleeding out. Anna Lise Phillips gives an excellent performance in this episode, and I’m going to miss the contribution she could have made going forward. Of course, it’s also going to be more difficult for our other survivors without having a doctor at hand in this harsh landscape where tetanus and rabies are death sentences. As she’s dying, despite everyone’s efforts to save her, we see that she still has her copy of The Wizard of Oz. She never truly stopped wishing to go home even though she found a new family in her own version of Oz. Sadly, it takes Maggie’s death for Charlie to realize that she should have been nicer to Maggie. Charlie’s lament that “Everybody leaves me” is echoed in Rachel’s flashbacks.

            We finally get to see at least part of the reason Rachel left and ended up in Sebastian’s custody. The first flashback shows Charlie begging her mother not to leave them and Rachel explaining that she’ll only be gone for a few months. Ben says they need supplies. It’s completely unclear whether Ben knows where she is actually going. That scene ends with a view of Rachel walking away without looking back – seemingly strong and determined to execute her task. The episode revisits this scene later in the episode when it’s revealed that Rachel actually left to meet Miles. The scene intimates that Rachel has made some sort of sacrifice in responding to Miles. Most effectively, we see what this sacrifice has cost Rachel when we are shown the end of the previous scene but from a different angle. This time we see Rachel’s face twisted with emotion, trying not to cry, as she walks away from her family: we see the pain this separation has cost her. The present scenes with Rachel see her being tortured by Sergeant Strauss after she has refused to answer Sebastian’s questions about Ben. It’s unclear whether she doesn’t know the answers or whether she is resisting telling him. He wants to know what Ben was working on when the lights went out, why he was working for the Department of Defense, how he knew the lights were going to go out. Rachel denies knowing more than that he was a simple Algebra teacher. It certainly seems like Rachel has been subjected to torture before, but it seems like the one thing that may cause her to break is bringing her son into the picture. The episode ends with Sebastian threatening to torture Danny when he arrives. The juxtaposition of Sebastian asking “what kind of mother are you” over the shot of her walking away from her young family, her face twisted with emotion was very powerful.

            The episode also examines the strong bond between fathers and children. When Danny and Neville are trapped during the twister (another Wizard of Oz moment!), and the building collapses on Neville, he plays on Danny’s bond with Ben. He asks him what Ben would think of Danny if he just abandons Neville to die. The fact that Danny does save him, goes to prove how wrong Neville was when he said that he was just like Ben. Neville of course proceeds to cuff Danny as soon as he’s free.

            The dog-psycho who captures Charlie has apparently gone crazy as a result of losing his daughter. He tells Charlie that his job was to keep Lyla safe, and he failed to do so. Even though they’d stockpiled medicine, weapons, and supplies, looters captured them and took all their supplies. His daughter died from tetanus after stepping on a nail, and because they’d lost all their medicine he wasn’t able to save her. He is drawn to Charlie because she reminds him of his daughter who was also naive and trusting. Charlie tries to say that people aren’t like the looters as a rule, but he tells her that people have always been like that. Here again we see the theme of people being pushed into doing things they couldn’t imagine by a set of circumstances that seem to give them no choice but to kill or be killed, to take from those that have in order to survive and to keep their own families safe. In the end, Miles and Nate are able to save Charlie by killing the dog-psycho. But the fragility of life in this new and brutal landscape is made clear by both Lyla and Maggie’s deaths.

            I’m enjoying watching Miles’ character develop. He is still resisting getting close to Charlie. He tells Nora that he’s going to leave because even though Charlie is his family, it ‘doesn’t make her his responsibility.’ It takes Maggie to convince him otherwise. However, she presents it so that it’s not doing Charlie any favors. She tells Miles to let Charlie save his life the way Charlie, Danny, and Ben saved hers. It feels much more realistic for Miles to be this conflicted about being reunited with his family, especially now in light of the final scene when Rachel turns herself in to him. I can’t wait to see how this story thread plays out and what happened after that meeting. The Miles we saw last week was determined to be reunited with his family. The Miles in the pilot was hiding from and wanted nothing to do with his family. Is it just a sense of guilt that is keeping Miles from getting close? Does he fear rejection or worse from them?
           
            This episode opened up a number of questions. Danny is the one to suggest that they need to take cover from the storm and Neville listens to him over his own man who assured him they can make it to the main camp within an hour if they just keep going. Danny asks him if he can’t feel the “shift in the weather.” I was immediately wondering if this meant Danny had some extra sense here. When Neville recaptures Danny, he says to him he had to because “You’re important, kid. More important than you even know.” Anybody else wondering if this importance is more than just using Danny as leverage to get Rachel to talk? I was also wondering about Aaron not wanting to tell the others about the power coming on at Grace’s. Is it just because he doesn’t trust Miles? Or is there more here too? I like that we are getting almost as many questions answered as are asked in each episode.

            What did you think of “The Plague Dogs”? What worked for you and what didn’t? Are you warming up to the characters? Any theories on why the power went out? Sound off in the comments below.

9 comments:

  1. Phenomenal episode. Sad about loosing Maggie. This series is just so great and I look forward to watching each week. Many questions about Miles and just about everything he does and exactly what his motives are. This is definitely my favorite new series.

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  2. I liked this episode a lot, and this is a dandy review of it. One thing, though: if Rachel is really being tortured, she shows remarkably little evidence of it anywhere; not so much as a wan complexion or pouches under her eyes, let alone lacerations or blood. I'm curious as to whether this is simply NBC reticence about violence or whether there's more there than meets the eye, as well.
    Charlie managed not to be irritating for a few minutes this episode, so THAT'S progress, too!

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  3. Good review. Thank you.


    I am not certain this show is going to keep me as a viewer, but there are certain aspects of it that I have come to admire tremendously.
    The cinematography is exceptional. The scene where the power goes out as Maggie is talking with her children is brilliant - from the subdued ambient lighting that started it to the fading sunset that was *exquisitely* framed in the window, like a painting at the National Gallery. Other scenes (the dogs, the storm, the diner) all use lighting, color and saturation to express emotion and set the stage. I'm very impressed with the direction/staging of the show.
    I am NOT a fan of slowly teased backstories - they provide a whiplash effect as one goes forward into the current storyline - I prefer the backstory to be exposed reasonably early and reasonably completely - so fresh mystery and suspense can be analyzed rationally. Problem with slowly revealed backstories is they continually change your understanding of the present. Which is okay once in a while but becomes tiresome, in my opinion, if the device is overused.
    Billy Burke continues to be great, as is the actress playing Charlie, Haven't seen enough of Elizabeth Mitchell to really feel one way or another except to say that the producers and writers have used her natural "maternal" quality (her smile is kindness itself) to good use. She plays noble, for the lack of a better word, better than anyone - even when her actions do not seem noble on the surface.

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  4. Great review and a great episode. I knew Maggie was going to die (actress bumped down from regular to recurring) but I liked her and was sad to see her go. I loved the flashbacks and the theme of mothers (and fathers) for this episode. Young!Charlie REALLY reminded me of Tracy's facial expressions, so she did a good job. I'm REALLY interested in knowing about Miles and Rachel and what was going on. Loved seeing Miles slowly let Charlie in. It's very interesting that he went from hellbent on getting to his brother and his family, to arresting Rachel (or something) to not wanting anything to do with Charlie (guilt over what he did to Rachel and everything he did for the militia?).


    How long ago was Rachel's flashback?

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  5. RIP Maggie RIP Revolution

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  6. Great observations and especially about the actor playing Young!Charlie - you're right she did a great job! It looked like Rachel's flashback was quite a bit in the past (I thought the kids looked 5/6 and 9/10?). Which means she had been away for a long time before Ben met Maggie...

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  7. I completely agree about the fantastic cinematography in this episode and the story in general. I'm often not a fan of teased backstories either, but I'm pretty comfortable with how they are doing it here - mainly because the backstory feels like it is explaining the present, not pulling the rug out from under us by changing what we'd previously thought. I really trust Kripke's storytelling in this regard. It's been my experience that he never cheats a story - you can always go back and find the clues that were laid out as the story unfolded. He's a very careful storyteller, so I'm sure there is a whiteboard in his office with all the most important details laid out - it still leaves room to add things, as long as those things are consistent with the already existing main points... at least that's my understanding of how he plotted out Supernatural.

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  8. Yes, in Kripke I trust. It's the other guy :) But you're right - Supernatural is an exceptionally well plotted series.

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  9. Good review. I really think this was the best episode of revolution so far

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