Last week, TV critics got a look at AMC's upcoming original series Hell on Wheels, an epic historical drama about the building of the Transcontinental Railraod and the tent city that moved along the railroad as it was built. That sounds pretty cool. That sounds like an interesting story I'd like to see.
Now, we all know that Chinese immigrant workers were a major part of the labor force that helped build the railroad. It would make perfect sense for Chinese characters to have a presence in this show. Right? Right?
Nope.
Surprise, surprise. There are no Chinese immigrant characters in the series. Somehow, they've been conveniently dropped from this side of the story. When pressed by critics on this point, the show's producers danced all around the answer:
“I predicted this is probably going to be the first question we were going to be asked,” creator Joe Gayton said proudly. “And probably rightfully so,” he added graciously, “because I think what a lot of people think of when they think about the Transcontinental Railroad is the contribution of the Chinese immigrants.”
But, he explained, “one of the things that really caught me is, just, it’s just so American, the idea of a tent city that packs up and moves, you know. And it’s violent, and it’s given to vice and gambling, but there’s churches there. And there was just something about that that caught [us], and I think that’s probably the reason.”
“And just, budget-wise and time-wise . . . we could really only concentrate on one side of [the railroad building], and that’s probably why we, you know, that’s why we chose the [emanating from the East Coast] Union Pacific as opposed to the [emanating from the West Coast] Central Pacific.”
"The genesis of the railroad started in the East," said Tony Gayton, taking a whack at the question, which, to refresh your memory as we travel further and further down the Gayton Family Rabbit Hole, was, "Why no Chinese characters?"
"It was Abraham Lincoln’s idea, and we’ve likened it to JFK, you know, saying, ‘We are going to put a man on the moon by the end of the decade,’ " Tony Gayton prattled on merrily.
"And it was very similar. So it just seemed a good starting point."
But, he promised, "The Central Pacific will be a hint in the show. I mean, we will know that they are out there, building."
"Having said that, we did write the Central Pacific into the pilot," Joe Gayton jumped back in, sensing the explanation was not going over as well as might be hoped.
"And people asked us if we were insane, if we were trying to get both of the stories - service both of the stories - in a one-hour pilot. So they ended up getting excised."
Long story short, the Chinese were "excised" from the story. Hey, just like a history book! Yet another middle finger to the historical contributions of Chinese Americans, dating all the way back when. As usual, thanks Hollywood.
It's kind of fitting, like a modern cable network version of that famous photo taken at Promotory Summit, commemorating the completion of the railroad in 1869. It is said that dignitaries did not invite Chinese workers to the official ceremony. We're talking about men who worked their asses off and died for the construction of this railroad. They're not in the photo either.
Source: Angry Asian Man
And here's the opposing article:
Angry Asian Man posted yesterday about an interview (in the Washington Post) with producers of an upcoming original series on AMC, Hell on Wheels. The series’ producers were asked why there were no Chinese characters in the series and, in their fumbling responses, gave no clear answer to the question but did manage to inflame emotions with a statement that “they ended up getting excised” from the show’s pilot. Angry Asian Man uses the statement to make a larger point about the historical contributions of Chinese. While I sympathize with Angry Asian Man’s broader concern, in this specific instance, he (and for that matter, everyone involved) confuses “history” in several ways.
AAM begins by stating: “we all know that Chinese immigrant workers were a major part of the labor force that helped build the railroad.” He then askes: “It would make perfect sense for Chinese characters to have a presence in this show. Right?”
The problem is that while his first statement is correct–given most people’s take on the issue–the answer to his question is actually, no. According to its web site, Hell on Wheels tells the story of the building of the transcontinental railroad from the perspective of workers on the stretch of rail built westward from the central United States by the Union Pacific. More specifically its focus is a tent city that followed the progression of the rail as it was built.
Chinese worked on the rail segment built eastward from California by the Central Pacific. This segment was shorter than the Union Pacific, but the work was far more arduous because it required extending the rail line through the Sierra Nevada mountains, some of the harshest, steepest terrain on the North American continent. The work was particularly dangerous when it required lowering men down the side of sheer cliffs in baskets to plant and explode dynamite, which was lit while the men were lifted back up the cliffsides. The high incidence of death and injury gave rise to the expression “Chinaman’s chance,” meaning very unfavorable odds.
Since the construction of the transcontinental railroad involved both the eastward and westward rail segments, it makes sense to credit Chinese workers for their contributions to the overall project–something that did not occur at the celebration culminating the railroad’s completion. However, it makes no sense to expect to see Chinese workers in a historical drama about the Union Pacific’s rail segment because there were none–although I should admit that I haven’t checked the historical record to see if there were a few.
An overall assessment about Chinese contributions to the railroad historically is not the same thing as historical specificity and detail. These are two different senses of history, although the one is connected to the other. Specific detail matters because they configure and determine the historical narratives and arguments that are made about them.
My point is not to excuse the producers of the series. If their larger concern is to tell the story of the railroad’s construction, they needed to include the Central Pacific perspective, which would include Chinese. Their statement that the railroad was part of the nation’s westward expansion is demonstrably false and based on older, questionable historiography. Why, after all, build a transcontinental rail line to an undeveloped west coast region? The railroad connected segments from developed areas east and west, which is why it was completed in Utah, and the territory it “expanded” and developed was the United States’ mountain interior.
If the producers’ primary concern, however, is the social dynamics and drama within a tent city following the eastern segment of the rail as it was being built, there were no Chinese involved. But it’s also not that interesting. So why expect any and get upset about it? Such a direct and straightforward answer based in historical detail and understanding should have been satisfactory.
Admittedly, the UP and its workers were aware of the CP and the Chinese because they were in competition for progress and wages. This competition allows for the issue and even Chinese characters and/or issues to be introduced at some point. But no one speaking or commenting seems to be operating with that much actual historical knowledge.
Source: The Planet Mongo Project


Well, that's just rude and racist! They should be historically accurate.
ReplyDeleteOh man, they didn't think anyone would notice or care I guess. I'm glad they were proven wrong. I will pass on this series,
ReplyDelete"One of the things that really caught me is, just,
ReplyDeleteit’s just so American, the idea of a tent city that packs up and moves,
you know"
Wow. Fail.
Not really smart answers considering they expected this...
ReplyDeleteI don't know why they just didn't at least cast a few Chinese actors in minor roles (and some extras). Shouldn't be that hard and would have made the show historically more accurate.
An opposed opinion on this topic: http://www.planet-mongo.com/new/2011/08/chinese-and-the-transcontinental-railroad/
ReplyDeleteThis sounds utterly dumb. Those answers did nothing but make the producer/writer/whatever look like an idiot. O.o
ReplyDeleteSee, when I think of a tent city that packs up and moves, I'm reminded of the Mongolians, and the Huns... Not really America... Not even a little. Maybe the native Americans that lived here before, but relating the U.S. to the group of people that were massacred and relocated to create the U.S. in the first place is just... stupid.
ReplyDeleteThis article is beyond stupid. Chinese workers had NOTHING to do with the Union Pacific railroad. They worked on the CENTRAL PACIFIC railroad. They were two entirely different projects that were being constructed on opposite sides of the country. The show is set in Nebraska. The Chinese were in California and Nevada.
ReplyDeleteWhy is it racist to not include Chinese characters in a story about an event that didn't include any Chinese?
Morons.
It IS historically accurate. There were NO Chinese working on the Union Pacific railroad, which is what this show depicts. The Chinese worked on a DIFFERENT railroad - the Central Pacific, which was on the other side of the country. This whole 'controversy' is completely manufactured and dishonest.
ReplyDeleteYour loss. You might learn something. For example, you might learn that no Chinese worked on the railroad this series depicts, which was started in Iowa. The Chinese were all working on an entirely different railroad in California at the time. Ridiculous.
ReplyDelete"would have made the show historically more accurate."
ReplyDeleteFalse.
I honestly don't know anything about the building of American railroad at all, it's something that simply isn't covered in a typical European school and I never found it that interesting to do some research about it on my own.
ReplyDeleteBut after reading the answers of the producers it seemed to me like the article was accurate because they just didn't clear things up.
The answers given make perfect sense if the question asked was "Why did you focus on the Union Pacific Railroad, as opposed to the Central Pacific Railroad and it's Chinese workforce?"
ReplyDeleteAs presented in the article however, it seems as though the question was simply, "Why no Chinese?" which makes the answer seem long winded, unusual and evasive.
How was the question ACTUALLY phrased? I don't know, but I suspect it was the former. What I do know for certain is that it would be completely historically inaccurate to include Chinese workers in a story about the Union Pacifc, as they just weren't involved.
This whole controversy has been made up so as to upset people and get a reaction. There is no "whitewashing" going on.
Personally, I don't know if the Chinese worked on the Uninon Pacific line going east or the Central Pacific going west... and that doesn't matter. What does matter is that the producers didn't know or at least did not reply with that answer fast enough.
ReplyDeleteIf accurate, it's a very simple soundbite answer that would have ended the topic instantly - the end. Instead by saying I love the idea of a tent city... or the budget and time wasn' t there.. .etc the PTB made themselves look at worst racist and at best ignorant.
The fact of the matter is that it's the creative team's vision and they can make it as historically accurate or inaccurate as they want. If they want, they can make the entire Union Pacific crew 8-armed aliens if they want to tell the story of 8-armed aliens. That's there prerogative.
Ah, but don't you see? The article doesn't actually say what question was asked. Given the nature of their answer it would seem the question was "Why did you choose to focus on the Union Pacific railroad instead of the Central Pacific?" Because that's the question they are answering when they say they like the idea of a tent city, wanted to start in the east, didn't have the time or budget to do both, etcetera. The article has been worded and structured deceptively so as to create confusion and imply a controversy that doesn't exist. It has attempted to pretend that a perfectly good answer to one question was a perfectly terrible answer to another.
ReplyDeleteVery true.
ReplyDeleteThat's the thing with interviews, If they're edited without the questions being shown or heard it's all too easy to shape the replies in whatever direction you want - even if out of context.
Found the original article the Washington Post released:
ReplyDeletehttp://www.washingtonpost.com/lifestyle/style/tv-column/2011/07/28/gIQA2FczfI_story.html
The only reason why the Chinese aren't yet seen, is because the story starts in the East. The Chinese built in the west. It'll all make sense soon enough!
ReplyDeletelol um not to rain on your parade but according to the original washington post article (which was what AAM referenced/quoted), Joe Gayton, one of the series' co-creators, said "“I predicted this is probably going to be the first question we were going to be asked. And probably rightfully so, because I think what a lot of people think of when they think about the Transcontinental Railroad is the contribution of the Chinese immigrants.”
ReplyDeletehowever he then went on to say "one of the things that really caught me is, just, it’s just so American, the idea of a tent city that packs up and moves, you know. And it’s violent, and it’s given to vice and gambling, but there’s churches there. And there was just something about that that caught [us], and I think that’s probably the reason.
thereby implying that the reason he didn't choose to focus the show on the Central Pacific (West Coast) side of the story, aka the one involving Chinese workers, is because it didn't seem "so American" enough, in comparison to the side of the story involving the Irish workers (Union Pacific). So basically his reasoning was that this one half of the story was American and this other half wasn't, and therefore this one half was what the show should be about, since it was more American.
that's what has people fired up, and rightly so.
I'll probably catch a lot of hate for this, and no doubt people will tell me i'm being oversensitive or reading too much into it, but having grown up here and witnessed/been the subject of racism and prejudice and whitewashing, both overt and subtle, i can tell you when i see it.