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The Walking Dead - ‘Welcome to the Tombs’ - Review

3 Apr 2013

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The season 3 finale brought closure to many of the past few month's themes and story arcs with poignant scenes, beautiful camera shots and imagery, and the death of a season-one character, Andrea. But damn, some parts were slow.

After last season’s zombie armageddon and barn burning, I was expecting more action. I kept waiting for the second half of the battle after the governor’s group was driven out of the tombs, but it never came.

I was left at the end with the feeling I had just watched a series finale, rather than a season finale for a number of reasons. There was the feeling of finality to Rick’s three-season character arc. I’m not sure exactly when it happened, but Rick decided he was going to give up his trust issues and start welcoming in new people again, and when he did, ghost Lori moved on. There was the sad death of Andrea and tear-inducing lines, like Rick correcting her “the rest of them” with “the rest of us,” and Andrea’s “I tried.” The bad guy lost his home and army (with the exception of two loyalists) and was banished while the innocent survivors gathered to live in peace. There was the lack of a build toward a cliffhanger to keep us in suspense all summer. And most of all, there was the end-of-journey music track.

There was some good to this episode:

- The governor delivering a classic line, “In this life now, you kill or you die. Or you die and you kill.” So true.
- The opening scene of the close-up of the Governor’s eye.
- The scene of the governor massacring his own people. You can almost see something snapping within the governor right before he starts shooting.
- Beautiful scene shot of the sun setting in the horizon as Rick, Daryl, and Michonne come back to the prison with a busload of Woodbury residents.
- The few minutes of suspense as the Woodbury army arrives with serious artillery and explodes the guard tower.
- The Bible passage Hershel left for the Governor, “And shall come forth, they that have done good, unto the resurrection of life; and they that have done evil, unto the resurrection of damnation.” Perfect.
- Andrea getting a chance to explain her actions.
- Andrea telling Rick, “I know how the safety works” – a callback to the first season, in Atlanta when Andrea didn’t know how to use the safety, and again to Andrea’s line when her sister Amy had died and Rick tried to pull Andrea away from the body.
- Michonne staying with Andrea to the end, again a nice parallel to Amy’s death, when Andrea never left her sister’s side. She was comforted by her new sister at her own death.
- Andrea opting to have control over her own death – something she had felt cheated out of when Dale stopped her from killing herself at the Center for Disease Control.

But there was also some bad:

- Andrea never getting out of the Governor’s torture chamber. The ending was set up in the first five minutes. The governor told Milton and Andrea that Milton would die and kill a handcuffed Andrea. The scenes of Milton slowly dying, and Andrea struggling to get the pliers were much too long and drawn out.
- Being robbed of seeing how 100-pound weakling Milton (ok, I may be exaggerating a little on the weight) overpowered walker-killing champ Andrea once she had gotten free. True, she didn’t have a knife, and walkers are dangerous, but he had a metal weapon in her hand and expertly took on three walkers at once just a couple of episodes back, while trapped against a tree. From what we’ve seen, walkers don’t become better fighters after they die, and Andrea could take Milton any day.
- Dialogue that was a little heavy-handed. There were comments like “No one can make it alone now,” “They never could,” that felt a little like anvil dropping.
- Choppy transitions with some character arcs. For example, we’ve been seeing Carl get scarier and scarier since he insisted on witnessing Randall’s execution last season, but the episode Clear seemed to be a turning point for him. He had softened after bonding with Michonne and apologized to Morgan for shooting him. Another example is Daryl didn’t show signs of mourning Merle. I didn’t expect an episode of sobbing, but outside of a couple of lines with Carol, you would have never known he had just lost the brother he’s been searching for since season one. And Rick suddenly seemed to drop all of the fear of outsiders after three seasons of hard lessons learned. While there’s been a slow build up to this, I can’t pinpoint exactly when and why his attitude turned.
- Too much screen-time dedicated to some of the season’s weaker storylines – yes, I’m looking at you Tyreese and Sasha. I’m sure there are plans for Tyreese for next season, but right now I’m left thinking they introduced the character too early – about half a season before they had anything interesting for him to do.

About Carl

To be honest, I’m not sure I disagree with Carl’s decision to kill the fleeing Woodbury boy. True he didn’t look to be much older than Carl and he was lowering his gun, but I understand why Carl wouldn’t have given him the benefit of the doubt. The kid just minutes before was part of group who had arrived at Carl’s home with the intention of killing Carl’s family. You don’t get a trial and a pardon for that in this world. When he stumbled upon Hershel and his group, I had a sinking feeling that they would let him go and he would return back to his group and lead them right to Hershel and the group – and we’d lose more of our group. So I was relieved when Carl pulled the trigger. In truth, I thought the reaction of Rick, Michonne, and Carl to the hitchhiker in Clear was much colder and less forgivable.

And Rick – are you really going to lecture Carl on this? You’ve been flip-flopping in your parent-raising strategy every other week. No wonder Carl doesn’t know right from wrong anymore.

What was scarier for me than Carl's shooting of the boy was Carl’s anger toward Rick. When Rick tried to talk to him about what Carl had done, Carl just dismissed him. The boy who last season looked up to his father is so far gone. In this episode we saw a Carl that was angry, sullen, dishonest, and disrespectful to his father. Carl’s either becoming a young Governor, or a teenager. But more relevant to this discussion is whether this storyline belonged in this episode. Carl’s journey is interesting, and this appears to be set up for next season, but is it finale-interesting?

So what did you think? Was this episode what you expected? What do you think will happen next season?

19 comments:

  1. If for whatever reason TWD ends, I want to see a continuation starring Carl. To me he is the most interesting character to watch.

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  2. i feel the same way about everything you just wrote.
    i wanted more action between the Gorvernor and Rick, but now that we know Phillip will come back as a regular next season it makes sense that a bigger fight will likely take place at some point in S4.


    I was one of the minority who really liked Andrea. Maybe it's because i like the Andrea from the comics too much, but i was really fond of her. She had so much pontential and the writers took that away by killing her.
    But anyway, at this point, the comics and the series are way too different now, and i'm not sure how i feel about that.

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  3. Season finale's are supposed to raise the stakes. This could have served as a satisfactory penultimate episode but by no means a season finale, the was no catharsis because there was nothing at risk. We saw Team-Rick leave the prison which we shouldn't of.

    Does anyone really like Morressy or whatever his name is as the governor? he is god awful. In the comics he is smart, calculating and evil in this we have this pseudo-villain we were supposed to sympathise with. He is dumb ass with a vendetta. Its a disservice to the source material.

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  4. Great review Chris. I agree! I thought the finale had a number of incredibly strong moments, yet its overall tone seemed melancholy and subdued. As a result, a chunk of viewers may have felt kind of cheated -- or at least, a little bit misled.

    For all its awesome special effects and great action sequences, TWD seems to stick the landing most consistently when it comes to poignant character moments ("Clear," "18 Miles Out," "The Killer Within"). It especially excels at departures, probably because it pulls out all the stops to deliver a heart-wrenching sendoff.

    So I definitely see where the writers were aiming. They wanted to take Andrea's character arc -- starting way back in the season 2 finale, when she first got separated -- full circle. Personally, I think they presented this in a very tense, cathartic, satisfying and ultimately hopeful way. They tied in her human rights beliefs (she simply backed the wrong horse with tragic results); her battle against suicidal thoughts (she ends up using the skills Rick/Shane taught her to put herself down before turning); and her feelings of family and belonging (separated at the end of Season 2, reunited in her final moments, absolved and attended by Michonne). Most poignantly, Andrea's death facilitates her deepest wish -- Rick's team unites with the remaining Woodbury citizens -- with the sad irony that LOTS of people died because of her choices.

    One reason this may have come across as an odd letdown is because, honestly, TWD had just presented at least 3-4 "staller" episodes (definitely not counting "Clear") -- plus a bunch of promo -- that seemed to tease some huge, explosive showdown. We sure got our explosions, but they were over in the first eight minutes. Also, we never got a follow-up, face-to-face confrontation between Rick and the Governor. And they could have done a much better job of explaining Andrea's motivations earlier on. I think it was a solid season-ender, just somewhat of a bait-and-switch.

    But I loved, LOVED the ending of this episode, with the absence of Lori's ghost on the catwalk. It finally struck me that, quite possibly, Lori had been shown pregnant because she was nudging Rick to unite everyone for the good of her baby and future generations. Once he had decisively chosen that path, she could move on. And the final shot of the grave marker was such a heartbreaking yet hopeful tribute to all those characters (Andrea, Lori, Dale, T-Dog, Milton, even Merle) who have ultimately died fighting this "good fight."

    My only real nit-picks were the commotion over Carl (Jody never did "drop his weapon" and was way too ambiguous in handing it over, which Hershel neglected to mention); plus the fact that Andrea spent so much time soulfully gazing at Milton when any sane person would have hysterically busted their toes trying to snag those pliers. Also, it felt like we got about 55% commercials, 45% episode. WAY too many commercials for a one-hour season finale with so many loose ends to wrap up. But, in my opinion, a tragic and solid sendoff for Andrea that (finally) painted her character in a much more human, sympathetic light.

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  5. Great review. I agree. At first I was upset and dissatisfied because like everyone I was hoping for closure. I was hoping that The Governor would meet his maker following a major death etc etc. After some thought I was happy with the way it ended. Knowing that The Governor will be back next season makes me happy. I'm going to look forward to each Sunday night waiting to see if and when he returns and if and when he does die. I enjoyed the back and forth between Rick and Michonne. Carl and everyone else had already accepted her into the group but Rick was slightly still holding out. He told her it was Carl's call when we all know it was Rick's final decision. Carl's demeanor worries me. I half expected him to dawn an eye patch at times. I agree with his reasoning for killing the young man in the woods because whenever deeds are left undone someone suffers. What bothered me about Carl is when Rick brought back the survivors from Woodbury Carl acted angry. He's becoming a loner who doesn't trust anybody. The fact that he showed more anger and more emotion to the fact that he wasn't going to be allowed to fight the fight against Woodbury than he showed when his own mother died bothers me. Andrea's death was very emotional. Like her or not the irony of her death was big. She spent all her time wanting to protect everybody not wanting anybody to die and in the end it was her that lost her life. You stated that you felt Andrea should've been able to fight off Milton and I agree but in fairness we don't know what happened behind that door. Andrea still had one wrist handcuffed and she was only armed with a pair of pliers. Maybe she stumbled or slipped in some blood who knows. The only beefs I have with the finale and show period are why more main characters aren't turned into walkers. I enjoy seeing faces we're used to seeing turn into what they fear the most. Since the show's premiere we've seen only six characters turn. Amy, Sophia, Shane, Randall, Merle, and Milton. It'd been something to have been able to see Andrew, Lori, or even Andrea in walker form. My problem with the finale (and it might be something they touch on in the season 4 premiere is we didn't get to see the group's reaction to Andrea's death. Andrea was clearly brought back to the prison wrapped in a blanket on the tailgate of the truck. I would've liked to have been able to see Carol, Carl, and Glenn's reactions to her death seeing as to how they're the only ones leftover from the original camp. It seems when a loss occurs like you said not much emotion is shown aside from Rick with Lori.

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  6. You're a true fan! I'm curious to see where his storyline goes. I wouldn't go as far to say he's the most interesting, but that's just me.

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  7. I liked Andrea. I liked her spirit. Even though I didn't always agree with her, I admired her for staying true to her convictions and making herself heard. I would have preferred she stay around longer, especially since she was separated from the group most of this season, but oh well. Nothing you can do about it.


    I expect the reasons for ending this season as they did will make more sense next year as the story starts to unfold. As long as they change things up, and the approach feels fresh, I'm open to seeing whatever they throw our way. If they do that, I'm ok with the governor staying around longer.

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  8. It gets better on rewatches, once you let go of your expectations. There were some really nice character moments in it.

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  9. I thought the Governor stole the episode, TBH. Maybe it's good that he stick around longer since there's only so much time they could have spent developing him this season, with so many characters on the show. He seems to get a little more deranged as he goes along, so maybe he'll peak next year. Thanks for commenting.

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  10. Thanks for a great post. As I commented down-thread, the episode gets better once you let go of your expectations, and I'm starting to do that. :) It had development and emotional moments that would have been very powerful in a mid-season episode. I just wasn't expecting it in a finale.


    I too would have preferred hearing more of Andreas point of view earlier on, and more action in this episode. Maybe they could have had her get out of the room, and then be killed right when she was getting away? But I guess they already did that. It was too talkey - especially during the moments when Andrea should have been concentrating on getting those pliers.


    The absense of Lori at the end reminded me of Rick telling Hershel that there were "answers" in seeing dead Lori. I guess we know now what those were. I wonder if they are suggesting that on some level inside Rick didn't feel right about the path he was on, and maybe seeing Lori was his subconscious working it out? I like your suggestion that this was about the baby.

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  11. Carl's demeanor is worrisome. He was pushed into dealing with very adult issues much too early, and there's nothing scarier than a kid who has lost his conscience. We'll have to see how this goes. Listening to Carl tell Rick, "I did what needed to be done," he sounded not only like the Governor, but a lot like Rick has sounded many times earlier this season. There still seems like there's good in Carl though. He did warm up to Michonne in Clear, and he was the one who went down to the tombs to rescue Tyreese's group earlier in the season - and then got scolded for it by Rick. He's getting so many mixed messages, it can't be easy being Carl. But I hope he starts to listen to Rick again, because Rick is not only moral, but also realistic. He's one of the best voices on the show.

    I thought Andrea had gotten the second handcuff free. If she was still restrained that would explain why she couldn't fight off Milton (she was bootless too, so kicking might not have worked as well), but I'm pretty sure she got loose at the last moment. Thanks for your comments!

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  12. I totally agree with you. Personally (just me), I felt that the issue with Carl shooting the teenage boy was somewhat over-emphasized. Don't get me wrong, certainly it's a horrific act for one boy to kill another (especially from our own vantage point in this non-apocalypse), but Jody handed over that weapon in a manner that was more than a little suspect. In fact, he kept a pretty good grip on it. If someone armed hollers "drop your gun" during a prison riot, the least ambiguous thing to do is to DROP your gun and get your hands in the air.

    What was much more worrisome, to me, was Carl's general attitude toward Rick -- disgusted, dismissive, hard and condescending. One could argue that Carl's actions in the woods were about survival in that moment, perhaps tinged with a desire to be "on the frontlines" -- but his words and actions in the prison yard suggest someone who is quickly losing touch with all sense of empathy and humanity.

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  13. Awesome review and I strongly agree that Andrea should have survived the attack from zombie Milton!

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  14. Yeah, Andrea's zombie-fighting skills got pretty impressive. Thanks for commenting!

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  15. I think we needed a much stronger ending fight, and some kind of real cliffhanger. It just ended so blah. I was hoping they would leave the prison already, but it didn't happen. I really don't want another season of the prison and the Governor. We need something new. I hope the new season will bring a bit more spark to this series.

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  16. After a re-watch, I finally put my finger on what the finale was also missing (for me): a more meaningful acknowledgement of Merle's very surprising, heroic and emotional death just **one episode** prior. Here, I'd personally suggest that the writers kinda missed the boat. Daryl and Carol mention Merle's death during a five-second snippet of dialog, and there's that weighted glance between Rick and Merle toward the end, and that's pretty much it.

    Based upon the anguished way that penultimate episode set things up, I think I was half-expecting Daryl's character to dominate the finale -- or at least, to be wracked with grief and given some brief (even failed) shot at revenge. Instead, he seemed oddly subdued and unperturbed. Character-wise, for me, that seems like a failure to connect the dots. I'm wondering if it's symptomatic of the writer/showrunner shakeup happening behind the scenes. After all, Daryl is a huge fan favorite, and I'd argue that Merle's demise was set up (by these very same writers) to command more immediate impact, emotion and respect.

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  17. I agree with you about expecting more of a fight. As far as the governor goes, my mind is still open. I think this could work if the new season has a very different feel to it. So I'm in a wait-and-see mode.

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  18. Yup, the absence of much mouring from Daryl struck me too. This show usually does a very good job of picking up right where they left off, so that surprised me. I think you might be onto something with this being about the new showrunner. Finales often set up the new season, and if the new showrunner has very different plans than the previous one had, they may have had to scrap their previous finale plans pretty suddenly to go in a different direction.

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  19. Thanks Christine. Pretty much felt the same about the Finale. Lots of Good but quite a bit bad.

    Still enjoyed it but not as good as I had hoped.

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