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Grey's Anatomy - Season 10 - Camilla Luddington Interview

TVLINE | The table read for the Halloween episode must have been very funny.

It was hysterical. We loved it just because it was reminiscent of the old Bailey, always popping up and scaring us and not thinking we’re worthy of anything. And then all the zombie stuff….

TVLINE | You had moments like,”The patient leans up and bites Leah in the neck!”
I know! They were telling us it would be Halloween-themed and we heard rumblings about something like a zombie, and I was thinking, “How are they gonna do this?” But it was really cool.

TVLINE | Speaking of scary, I was nervous for Jo when it seemed like she was going to tell Meredith what’s going on with Alex. I was like, “No. Don’t. That can’t end well for you.”
Yeah — this being Grey’s Anatomy, it’d turn out horrible. But I think that in that moment, Jo really has no idea who to turn to. Something they cut from last week is that I had asked [Jackson], “Do you know anything about his dad?” So she’s sort of been putting out feelers, to see if anybody has any idea what’s going on. And at that point, Alex has been so standoffish, and there are so many times she’s reached out but is so exasperated, she does not know what to do. In normal circumstances, she would never, ever reach out to Meredith, but it was like the final straw to her.

TVLINE | Were you on the edge of seat when you first read that final scene, where she’s at Alex’s doorstep? When a couple has a door between them, it could always slam in someone’s face.
It was hard for me, these past two episodes, because I really just feel for Jo. Usually when we’re not filming a scene, we’re not present, but I went and watched the scene that Justin [Chambers] and James Remar filmed in the bar. Because when I read it, it was so heartbreaking and I wanted to see how it went. I felt really invested in both Jo and Alex’s journey with this storyline, so by the time it got to the door [scene], I myself was almost exhausted. I felt like she was again putting it all on the line, but I remember saying to the director, “I don’t want her to be upset. I don’t want her to play it that way. I really feel like, at this point, she feels like she’s done everything she can.” But it’s always scary because I was like, “He’s really not even gonna open the door to her?” And they’re like, “No. He’s keeping it closed.” And that made it so difficult, as she stood there in this costume. There’s something so vulnerable about it to me.

Read full interview at TVLine

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