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Game of Thrones - Season 2 - *UPDATED* BTS Video and Photo of Jon Snow
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Supernatural - Episode 7.10 - Death's Door - CHCH Promo
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Law & Order: SVU - Season 13 - Casting News - Holt McCallany to Guest
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The Game - Season 5 - 2 Promos
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Here are 2 official promos for Season 5 of The Game which is due to premiere on Tuesday 10th January 2012 at 10/9c on BET.







Ringer - Episode 1.11 - Extended Promo
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Smash (NBC) - Series Premiere Promo
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Alcatraz Series Premiere - Extended Promo
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Ringer - Season 1 - TV Guide interview with the bosses about what's ahead
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Game of Thrones - Season 1 - *UPDATE* DVD/BD Sets Get Official US Release Date
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Chuck - Season 5 - Today is Mekenna Melvin's final day of filming
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Murderboard: An Author's Perspective on Castle - Episode 4.09
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x
EP. 4.09: "KILL SHOT" / BEST OF 
"CASTLE & BECKETT NEED TO FIND A SNIPER WHO IS TERRORIZING NEW YORK CITY, AS BECKETT BEGINS TO EXPERIENCE INCREASINGLY STRONG MOMENTS OF PTSD."
x
..IN A NUTSHELL..
Gripping, heart-wrenching, pivotal... What a performance from Stana Katic - and what a scene between her and Jon Huertas.

[Please note: the main theme of this episode - PTSD - is very personal to me. As a result, this review will contain some comments based on my own experience]
x
..DRAMATIC HIGHLIGHTS.. 
So many in this episode...
• The opening scene. -- The blood from the sniper's victim splattered all over her friend's face. Gory, disturbing. Sets the tone right away.
• The first hints. -- All the small details paving the way for Beckett's full-blown PTSD:
1) The way she touches her chest when looking at the first victim - "Bullet wound straight to the heart..." -, followed by the way she looks at the blood trail, her eyes lingering on it.
2) In the morgue: "Did she feel it?"
3) Looking at her scars in the mirror, touching them.
• Beckett's first PTSD episode. -- The cinematography was great (see below), combining sounds and camera movements to create a disturbing/disorienting atmosphere. The sound of the car door being slammed feels like an opening salvo, and things escalate from then on. Beckett is no longer the "detective leading the charge". She's out of breath, struggling to find her words... rattled, jumpy, confused... And talking from personal experience [see author's notes] this is the first of many scenes that portray extremely well what PTSD feels like. -- Beckett diving for cover when she hears the siren almost comes across as over-the-top on the screen, but this is one of the classic reactions in real life. Just as people looking at you, baffled, not getting what's going on.
• Beckett, in her own world, at the precinct -- Another very authentic scene. Feeling cut off, scared, confused. Almost like being stuck in a parallel universe, unable to connect with others or even hear them properly... -- Beckett snapping at Castle as he tries to comfort her was a first key moment: very unlike Beckett, highlighting how affected she is. And the line "Well, I'm not anyone" was brilliant, leading us right into the next scene: Beckett's not only confused and scared, but also mad at herself for not being able to control what's happening to her. 


• The first therapy session. -- Brilliant. Stana Katic nails every single beat in that scene, both in terms of physicality and emotions.
1) "I don't have PTSD." - The way she delivers that line, angry and dismissive at the same time: great choice.
2) Her hand movements as she says: "I need to figure out how to make this stop."
3) Her body language as she paces the room, turns around, and sits down - elbows on her knees.
4) "I don't have time to get all weepy over a couple of scars." - Again great choice in terms of line delivery: matter-of-factly, almost flippant.
5) "You don't think I can handle this?" - Absolutely love the tone here. The half smile to start with, the taunting attitude. This is the Beckett we know, but Stana Katic manages to add another layer to her: subtle, edgy, slightly disturbing. Fascinating to watch.
6) Holding her head in her hands. - Not like you've seen it a thousand times before on a screen. More intense, heartfelt, visual. Even before the great line that follows, you know it’s a pivotal moment. You know Beckett is about to make a dreadful decision. -- One of the things that always impress me on Castle, is the cast's ability to convey a lot with very little, and often without words - and this moment is a classic example.
7) "You know what? I'm fine." -- *Perfect*. -> The line. The delivery. The shock effect.
• The elevator scene. -- Beckett scared, hyperventilating, her hand shaking... You can see the physical effects of what she's experiencing, but also sense her frustration as she tries (and fails) to keep things under control. - Especially liked Stana Katic's facial expression as she steps out of the elevator. Like Beckett's going into battle.
• Apprehending the suspect. -- Beckett freezing, as she's supposed to follow Esposito inside the elevator. Just like at the second crime scene, 'zoning out', short of breath. Very strange and powerful to see her so still and silent.


• Interrogating the suspect. -- So much intensity in that scene, and just like the first therapy session, Stana Katic delivers both in terms of physicality and emotions. The finger pointing, the threatening voice, her body language... Again, this is the Beckett we know, owning the space (physically and mentally), but she's way more aggressive and predatory than usual. Nathan Fillion and the guest star are also great - one concerned, the other one standing up to Beckett - both contributing greatly in terms of overall effect.
• Night / PTSD. -- Beckett is barely recognisable when you get that first glimpse of her in her apartment: drunk and terrified. First of several "short and powerful" scenes build around a strong performance from Stana Katic and great cinematography.
• Beckett's bandaged arm. -- Very visual. Liked the shot when she pulls her sleeve down to cover it, hide the blood stain on it. In a way, it reminds us that Beckett is physically hurt (i.e. the scars we can’t see) and makes her look physically more vulnerable.
• Beckett running towards the new crime scene (right after all the phones start ringing at the same time). -- Blue light and silence ('white noise' effect). Her silhouette, still, surrounded by blurred movements. Very artistic and gripping sequence.
• Beckett breaking down in the corridor. -- Heartbreaking, beautifully shot and scored. One of these perfect scenes you will remember for a long time. The way she strips away her jacket, her gun, her badge... Leaning against the wall... Brilliant performance from Stana Katic (yet again: physicality + emotions). Another "short and powerful" scene.


• THE RIFLE SCENE. -- Honestly, one of the best scenes I have ever seen on screen: absolutely heart-wrenching. - Stana Katic and Jon Huertas deliver such an outstanding performance... This is way more than just a scene, more like one of these 'magic moments' only a few actors (and production team) can create.
1) "It's the rifle... that shot you" -- The beat made that line so much more powerful.
2) "You are way out of line." -- Beckett starting to break. Hard to watch.
3) "What the hell are you doing?" - Incredible performance from Stana Katic at that very moment. Her voice: broken; heartbreaking. The way she steps back. That 100% in the moment authenticity that makes you feel so much. You can sense Beckett's fear, her despair, all the pain she's been bottling up for so long. And when the dam breaks, it's such a unique moment...
4) "Javi, I'm fine." - Heartbreaking. The way that single sentence was delivered: absolutely gut-wrenching.
5) Esposito's speech about the rifle: extremely well written and delivered by Jon Huertas. Especially liked the way he says: "It's a hunk of steel." and "It's just a guy. With a gun.".
6) "He's damaged goods." / "So am I." -- Stana Katic's performance is so raw. The way she barely articulates the words, the long beat before she does. Everything is brilliant: the emotions on her face, her body language (hands in pockets), the moment she starts crying. -- No way you cannot cry, and/or *really* feel something during that scene!
7) "You think it's a weakness, make it strength." - Not only a beautifully written and delivered line, but also so very true.
8) Beckett finally grabbing the rifle. -- The music (*excellent*). The close-up of Stana Katic's face, looking away, crying... Her fingers tentatively touching the weapon, holding it... -- Such a powerful scene.



• The ladder. -- Yet another "short and powerful" scene. Love all the different layers, combined in 30 *seconds* or so! 1) It's a key moment plot-wise: Beckett realizing the suspect must have a physical disability. 2) Very visual: the rooftop, the camera angles, the rifle. 3) Believable: climbing a ladder is not something we've seen Beckett do since the shooting; uses very specific muscles/movements. 4) Another gripping performance from Stana Katic: Beckett's pain, anger and frustration are perfectly conveyed.
• Confronting the sniper. -- Great action sequence (searching the building), followed by a very moving one (Beckett pleading with the sniper). - And the two combined create a highly satisfying conclusion to the "case-of-the-week". Such endings are often a big let-down (rushed and/or cliché). Here, we have another very emotional moment with Beckett opening-up, vulnerable and scared. -- "You think my life is a picnic?"... Showing the sniper her scar, pleading for her life... Stana Katic was brilliant (once more) at creating a heartbreaking Beckett: exhausted, overpowered, letting it all out... - The ending of the scene also offered a nice parallel: Beckett hurt, and saved, by a sniper. So glad the creative team didn't opt for a "happy" ending here. Much more powerful that way.
• The last therapy session: outstanding and pivotal scene. Last few minutes of Stana Katic's amazing work on that episode. -- The way she delivers: "I want to be more than who I am." was so heartbreaking... The therapist talking about her mom: "She's dead, Kate. You can't let her down."... Beckett crying... And the final exchange: "Are you ready?" / "Yeah, I think I am".  -- Perfect ending to a perfect episode.


..FUNNIEST MOMENTS..

Despite the overwhelmingly dramatic tone, there were still some light-hearted moments:
• "Roger" -- Castle teasing Beckett about her "mystery man". Nice banter between the two, but also great way to (re)introduce Beckett's injuries. "Sometimes, the scar pulls a bit" was the last time it was mentioned (in "Kick the Ballistics") and that small scene gives out two key pieces of information: 1) Beckett is still seeing a physical therapist, and by her own admission, is still not physically 100% - something that will pay off in the "ladder scene"; 2) the actual theme of the episode is revealed: "strength/weakness". -- Writing exposition scenes is often one of the hardest parts of a writer's job. Here, it's done elegantly.
• The word "sniper" (in the morgue) -- Great ensemble scene. Really liked Esposito and Lanie bickering and blaming each other, and the way Nathan Fillion's delivered: "Even I noticed". The tone was also spot-on. You could feel how much these characters care about each other. Beckett: "You guys, you don't have to avoid the word on my account." was kind of playful (Beckett is more touched than mad). The other three trying to protect her was sweet. Lovely interactions all around.
• "She's never snapped at me before." -- Castle talking about Beckett and Esposito giving him one of his "looks" (Jon Huertas should trademark them!)
• "I think I know how to check an alibi, detective." -- Gates to Beckett.
• "Can I just say, this school of yours is worth every penny I paid?" -- Nathan Fillion's delivery was great.

..GREAT CINEMATOGRAPHY..

• The sniper, right before the credits. -- Absolutely loved the editing here, cutting right as we hear the shot. Almost feels like we didn't fully hear it. Very artistic and efficient.
• Beckett's first PTSD episode (at the second crime scene). -- The combination of camera movements (Beckett's POV as she walks towards Lanie, looks up at the surrounding windows, turns around) + the sounds (car door, siren) really create a sense of disorientation and an unsettling/threatening atmosphere. You feel surrounded - inside Beckett's head and watching her at the same time. Again: very efficient. The sound effects also make the next scene at the precinct more powerful: all about silence and "white noise", as Beckett feels cut off from her immediate surroundings, in her own world.
• The therapist's office -- As I've mentioned in previous reviews: *great* set - and very well exploited. These type of scenes (same applies to the interrogation room) are very static by nature, but the production team often finds ways to shoot them in a creative way. Here, really liked Beckett's hand with the therapist in the background. Original way to tie the two in the same shot.
• Beckett breaking down in the corridor. -- This was *so* well shot. The angles, the colours, the out-of-focus ending. Especially liked the shots (fixed) of her jacket and gun landing on the carpet. - And *loved* the music
• Searching the building. -- Beckett running into the building, moving from room to room, looking for signs of the sniper... Quite reminiscent of the scene in "Cops & Robbers" when she scans the blast scene: "X-Files blue light" + kinetic camera movements. Nice touch to opt for a thigh holster and earpiece (very visual).
• Confronting the sniper. -- Beckett's POV as she spots the door ajar, sees the school bus photo on the window... Perfect build-up before the sniper suddenly overpowers her. That sequence was extremely well shot and edited (especially the hand-to-hand combat and the stunt part).

..FAVOURITE QUOTES.. 
• "It could happen to anyone." / "Yeah, well, I'm not anyone." (Castle & Beckett about her 'startle response'). -- Liked how much is implied in Beckett's answer.
• "I don't have time to get all weepy over a couple of scars." -- There was something about the word "weepy" that made that line work especially well.
• "I'm fine. Thank you." (Beckett at the end of the first therapy session" / Followed by "How worried should I be about Beckett?" (Castle at the start of the next scene) -- Nice Q&A the other way around. We usually have a question... answered in the next scene. Here, we have the answer... then the question. Nice writing.
• "You know what I think? I think that you should be on the other side of that barrel." (Beckett interrogating the suspect) -- Really brings home how far out of line Beckett is.
• "Yeah. Like we caught the guy that shot me." -- Quite banal on paper, but the intensity Stana Katic puts in it, and its place in the storyline, made it quite pivotal.
• "You think it's a weakness? Make it a strength." (Esposito during the rifle scene) -- Powerful. Beautifully written and delivered.
• "I want to be more than who I am." (Beckett to her therapist) --  Again... Powerful. Beautifully written and delivered.
• "She's dead, Kate. You can't let her down." (Therapist to Kate, about her mom) -- Anyone who has lost a loved one will know how powerful - and cathartic - this line is.


..SPECIAL KUDOS..


• Stana Katic. -- This was one hell of a performance. Emotional, physical, outstanding throughout the entire episode. There was something really special about the way Beckett was explored and portrayed over the course of this episode. The writing was excellent to start with (how often do you get 90% of an episode devoted to a character study?), but Stana Katic added so much to it. She goes through such a wide range of emotions... - letting us in at all stages. In a way, it was a very generous and courageous performance: raw, heartbreaking. To show that level of authenticity, you do have to be 100% in the moment. Very few actors/writers can do that.
• Production team. -- Another beautifully shot and produced episode.
• The score. -- Thought the music was especially great in this episode. Emotional scenes often get the "soapy" treatment. Here, the score added a special layer to several emotional moments, especially the one when Beckett breaks down in the corridor and the rifle scene.
• Costume design. -- Haven't mentioned it in previous reviews (very sorry about that!!), but Beckett's look this season fits particularly well with the current storyline. It's darker, edgier, more retrained. In this episode it's also used to create some very visual moments -- Beckett's silhouette as she searches the building / Black jacket, hands in pocket, during the rifle scene; black again in the corridor scene / Beckett drunk, terrified. -- Hair, outfits, silhouette... Feels like *everything* is used to enhance what we see on the screen.
• Full cast. -- Even though this is very much a Beckett episode, all the other actors and characters had a great role to play, including the two main guest stars: suspect and sniper.


..CASTLE & BECKETT.. 
Very much a "Castle & Beckett" episode, even though there aren't that many scenes between the two. 
Castle watching over Beckett, trying to give her some space while protecting her at the same time was very well done.
- The elevators scene, when he finds a good excuse for her to stay at the precinct.
- Asking Esposito what should be done to help her.
- Bringing her a *decaf* coffee (funny and sweet).
- Realising, before anyone else, how much the case is affecting her.
 
The last scene between them, right after the sniper's death. - Castle: "Just waiting for my partner. Maybe you've seen her. Pretty girl, thinks she can leap tall buildings in a single bound, carries the weight of the world on her shoulders, yet... still manages to laugh at some of my jokes." / Beckett: "She sounds like a handful." -- So well written and acted.
 And of course, Beckett: "I think I am (ready)", at the end.

..NOT SO SURE.....
Considering the quality of this episode, mentioning anything here would feel like nitpicking...
So, will leave it blank! :)

..TOP 3..
If I had to choose...
#01: The rifle scene.
#02: The therapy sessions.
#03: Beckett breaking down in the corridor
(And if I had more than 3... -- The PTSD, the ladder, the elevator scenes... Interrogating the suspect, searching the building, confronting the sniper... - Such an outstanding episode!)

Agree? Disagree? Leave your comments below!

..AUTHOR..
CAROLINE is the author of a series of thrillers set in Vancouver [ www.seriecsu.com ]. She also writes for a TV magazine: articles, interviews and BTS reports. She currently enjoys CASTLE, FRINGE & THE KILLING.
Author's notes - I started watching Castle for two main reasons: Beckett was in many ways like the main character I had created for my series (a strong, guarded and caring female cop, dealing with a traumatic past... who also happened to be called Kate); Castle was a writer with an overactive imagination (something I could personally relate to!). Over the course of the seasons, I have liked some episodes way more than others, but the show has never failed to deliver some special moments for me - touching, moving, funny... -- The aim of this blog is to share some of my thoughts on the show, via a series of reviews and features. On a more personal note: I live in Belfast (Northern Ireland) where I have witnessed acts of violence such as shootings and explosions - something that has shaped me as a person and as an author. My comments on certain aspects of the show (like the blast in "Cops & Robbers" or Kate's PTSD) do stem from personal experience. 
@murderboard on twitter

Other posts:
Episode 4.09: "Kill Shot" / BEST OF 
Episode 4.07: "Cops & Robbers" / BEST OF 
Episode 4.01: "Rise" / BEST OF 



 





Castle - Flashback Noir Episode - TV Guide Scan
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Glee-Episode 3.07- I Kissed a Girl- Review
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This weeks episode of Glee entitled 'I Kissed a Girl' was all about girl power (would've been a perfect opportunity for some Spice Girls). The episode opens with Mr. Schue, Shelby, Finn and Santana in Principle Figgin's office. Santana is being scolded and possibly suspended for bitch slapping Finn. Fortunately for her Finn denies that Santana slapped him and instead insists that it was a 'stage slap'.

His motives are made clear when he decides to blackmail Santana, in a nice way I should add. He wants her and the Trouble-Tones to join the New Directions for this weeks Glee lesson, again proving what a good leader Finn can be, and is. His reason for the lesson is that he thinks Santana is awesome, but is lonely and angry and wants her to feel loved. This weeks lesson, Lady Music Week. Each member will sing a song for women, about women, by women, again no Spice Girls.

Although Santana is reluctant to participate in the weeks assignment Finn explains to her that everyone in Glee knows about her and Brittany and they except it and embrace her, she has a group of people who wont judge her for who she loves. She also delivers one of my favorite insults that has me laughing out loud every time, 'fetus face' is going in the book of greatest Santana lines ever, outstanding.

There is another great moment with Finn and Santana where he explains why he wants her to be open to this weeks assignment. He cares about her, and although the first time they had sex meant nothing to him, it means something now, because he knows that when it happened, it was not only a bad choice for him, but for Santana she was even more confused. Cory is great in this scene, and although talk about 'It Get's Better' and another teen killing themselves seemed a little out of left field, the sentiment was there. He's worried that when tearing others down isn't enough for her, she's going to harm herself. This had me shaking my head, only for the fact that Santana would never harm her self, if nothing else, she won't accept pity from people. And she proves that point when she states she would never hurt herself, because she would miss herself to much.

The episode also dealt with the results of the student election as well as the community election. Rachel and Kurt are both worried that they are no match for Brittany and her pixie sticks, which as Figgin's proves, are so delicious, honestly Figgin's is the worst principle ever. Kurt even mentions to Rachel that he has thought about cheating, stuffing the ballots in his favor, at first Rachel is applaud, but this is Rachel and she gets over it, in a big way.

There is also more development in the Puck/Shelby relationship, what's that? You don't care because you're all incredibly disgusted and disturbed by this storyline? Well welcome aboard because I was over this storyline before it even started, in actual fact so is Idina Menzel (see my review of her live show in Toronto). Shelby freaks out when Beth splits her lip and rushes her to the hospital, in full on mom panic calls Puck for support, because as a single mother with a full time job, its hard. One inappropriate thing leads to another and they have sex...see inappropriate. Shelby regrets it and tells Puck to leave, saying it shouldn't have happened and it didn't mean anything, unfortunately for him it meant something.

His anger leads him to Quinn's house, where earlier when she propositioned him with sex, he turned to her down stating, he'd rather 'raw dog a beehive' sounds painful. His reasons for turning her down are pretty much what everyone viewing Glee is thinking, she's selfish, angry and a whole lot of crazy. Nonetheless, Puck shows up at her house and while getting their mack on, Quinn states she doesn't care if she gets pregnant again, Beth came out perfect maybe they can make another perfect baby, see crazy! For once Puck actually thinks with the brain above his shoulders, and tells her that he's messed up, everyone in Glee has. All week they were working on helping Santana with her issues that were never a secret, while for three years Quinn and everyone else ignored her's, her anger, her family falling apart and never feeling loved. It was a great moment and I am glad that Puck was the one to bring it up and confront Quinn on, because if nothing else I still totally ship Quick. Their new found understanding leads Puck to admit something to Quinn, that she can't tell anyone about. I'm slightly curious as to why Puck would ever admit to sleeping with Shelby, she is still all kinds of crazy and would obvious use it against her, but maybe not....but probably.

Then there's Sue, with some great jabs at other male journalists as well as one at David Boreanze, that I don't completely understand, Sue is very much straight and starts to date Cooter in order to prove to Ohio that she is straight and rub it in Bieste's face. These scenes just proved how manipulative Sue can be and how well Jane plays it. Still don't care about either of these story line's, even more so, we get that Bieste is a big girl but can the writers be done with the eating of the whole chicken's its not funny and seems to be more of an insult.

Kurt's presidential campaign comes to a screeching halt when he is accused of stuffing the ballots in his favor. Turns out Figgin's thinks he cheated, so he will be suspended. When he tells Finn and Rachel, Rachel admits to Finn that she stuffed the ballots for Kurt, because she knows if he doesn't win there's an even less of chance he'll get into NYADA, and there is no way she's going to New York without her best gay, so...irrational Rachel makes yet another appearance. Let's hope the writers will use this moment as one of growth for Rachel, and not another moment of the Glee Club and Mr. Schue blaming her for their doom, if they lose.

Santana states that she has told her parents about being gay and that they took it well, she just has to tell her grandmother. The scene itself plays out the way it should, with pictures all over the grandmothers fridge it's apparent that Santana has a strong relationship with her grandmother, she is someone who she looks up to and whose opinion matters to her. She explains to her grandmother that she loves girls the way she's supposed to love boys. It's a big moment, but I wished the writers had worded it differently. Meaning, last season Holly Holiday said to both Santana and Brittany, it's not who you are attracted to, but who you fall in love with. While I'm sure Santana is a lesbian and is attracted to girls, it's not about that, the only person she has ever loved is Brittany and for the most part it didn't matter that she was girl, it's who she loved. I wished they had worded it more as, I love Brittany. But the scene was still great Naya again proving she can do dramatic and heartbreaking just as good as mean and hostile. Her grandmother doesn't take the news well and tells her to leave and never come back, I assume this will play into Santana and her choices, if the writers allow it.

Other news Kurt lost and Brittany is the new student President, and Sue lost, actually she came in last, and Burt won the community Election. So there was some right amongst the wrong.

The last 30 seconds of the episode absolutely change what lies ahead for the New Directions. Rachel comes into the choir room in tears where she explains that she is the one who stuffed the Ballots and Kurt is free of suspension. But because she admitted it, she is being suspended for a week, as well as it going on her permanent record and the kicker? She's not allowed to participate in Sections next week. Que gasp. The only good thing about this, besides Lea Michele's stellar acting as always, is that this sets up the New Directions to maybe appreciate Rachel's passion and drive for the club and instead of blaming her, maybe they can understand what she just sacrificed for the people she loves.

The Music:

Perfect-(Blaine and Kurt): They sounded great, and the sentiment was there, but this song absolutely lends itself to a group number, specifically a New Directions group number. Every lyric can be applied to the struggles of the group. I understand why it's Kurt singing it, but it should've been a group number. But I do agree with Santana, Blaine needs a gel-evention and a bow-tie-vention.

I'm The Only One (Puck): Again inappropriate, the song was great and Mark Salling rocked it with his sexy swagger, but fix your hair and avert your eyes from the hot teacher to the blonde in front of you. At least both Quinn and Rachel noticed something was off. While it was nice of Puck to stand up for Santana, the sentiment is completely lost with all the eye banging Puck is doing with Shelby. Great song, great performance, but avert your eyes please.

Girls Just Want to Have Fun-(Finn): Best performance of the show, vocally Cory sounded amazing, his improvement vocally is noticeable and its greatly appreciated. Both Cory and Naya nail the emotion of the scene, and the cut to a sweet Finchel moment is always a bonus. Musically relevant and perfectly executed.

Jolene - (Bieste): She doesn't have the strongest or the most pleasant voice, but she sounded great and the emotion behind the scene was spot on Dot Marie Jones is a force and exceptional in every scene. This scene was relevant all the way through.

I Kissed a Girl- (Santana, Rachel and the Girls): Although i am over Glee doing another Katy Perry song, and sad that another song sung by Tina (see Tonight) is being taken over, the fun-ness factor wins out. The introduction of the performance was made to explain why Santana had so much fear of coming out, a douche of a jock approaches Santana and says he'd be willing to 'fix her straight', which is not only offensive, not off par on the thoughts of many close minded and ignorant people in this world. Luckily she has the girls to back her up for a fun girl power performance, again why no Spice Girls?

Constant Craving-(Santana and Shelby): I love this song and I loved the performance. The lyrics fit perfectly for Santana in what she is dealing with and now has to deal with, inter cut with Shelby's debacle with her attraction to Puck, but knowing it's wrong. This was the perfect song for these two and i could not love their vocals more, amazing duet.

Scene of the episode: Santana telling her grandmother about being gay.
Runner up: Rachel telling the Glee club about her suspension and missing sectionals. Lea kills when it comes to emotion, girl is a power house.

Least favorite scene: Bieste eating the TurDucken, we get it she likes to eat, but knock it off now.

Favorite performance: Tied with Girls just Want to Have Fun and Constant Craving, both we musically relevant and performed perfectly.


Next week: Sectionals: These are always good episodes, with great music and musical numbers. Spoiler: If you're not on Tumblr then you aren't aware of the songs for next week so, Trouble-Tones take on an amazing Mash up of Survivor/ I Will Survive, seriously it's epic. New Directions take on a Michael Jackson Mash Up of ABC, Control and Man in the Mirror, Man in the Mirror is the better of the three but should be good. But the best song of the episode is going to go to our first Finchel duet of the season with Fun's 'We Are Young' seriously the song is on par with 'Sing' emotion wise and relevance.

I won't spoil anymore about the episode except, expect some Faberry scene's that Lea Michele has been tweeting about as well as the return of Sam.


follow me on twitter @NatGee10 and on Tumblr at EpicGlee.tumblr.com

Eureka, Warehouse 13 and Haven Return for All-New Holiday Episodes
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ICYMI - 30th November 2011
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Supernatural - Episode 7.13 - Sara Canning cast as a one night stand of Dean's
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Ringer - That's What You Get for Trying to Kill Me - Recap/Review
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Ratings News - 30th Novemeber 2011 *Full Tables Added*
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Once Upon A Time - The Wish Upon a Star - Featurette [VIDEO]
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POLL - Please vote for your Grey's Anatomy Badges
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Sons of Anarchy - Episode 4.14 - To Be (Part 2) - Promotional Photos
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Army Wives - 10 More Episodes Ordered
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American Horror Story - New Poll - For Hayden's plan to work, do the babies need to be...
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THE TERRANOVA PODCAST: "Now You See Me"
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Gossip Girl - Badgeville - Badges Now Created - Start Collecting!
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Once Upon A Time - Season 1 - Variety of spoilers
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Grimm - Episode 1.07 - Let Your Hair Down - Promotional Photos
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90210 - Episode 4.12 - O Holly Night - Promotional Photos
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TNT MYstery Movie Night - Ricochet - Promotional Photos
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CSI: Miami - Episode 10.10 - Long Gone - Promo
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POLL : Which of these shows will you be watching Tonight - 30th November 2011
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Glee - Episode 3.08 - Hold On To Sixteen - Full Set of Promotional Photos
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The Mentalist - Episode 4.10 - Fugue In Red - Promotional Photos
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The Mentalist - Episode 4.11 - Always Bet on Red - Promotional Photos
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Castle - Episode 4.10 - Cuffed - Promo (Better US Version)
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Latest From Ask Ausiello - Various Shows - 29th November 2011
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Latest From Mega Buzz - Various Shows - 29th November 2011
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True Blood - Season 5 - Casting News - Chris Meloni cast in unknown role
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That noise you hear is the sound of Twitter exploding into a million little pieces over the following news: Chris Meloni is being courted to join the cast of True Blood.

Take a deep breath and continue reading…
TVLine has learned exclusively that the former Law & Order: SVU front man is circling what my sources are calling a “major role” in the show’s upcoming fifth season.

But what role? An HBO rep declined to comment, but I hear Meloni — who’s currently shooting a top-secret role in Man of Steel — is in talks to play (duh) an incredibly powerful vampire.

If a deal comes to pass, this would be a major casting coup for True Blood. It would also mark a high-profile return to the small screen for Meloni following his sudden departure from SVU last spring.

Source: TVLine

Sons of Anarchy - Episode 4.14 - To Be (Act 2) - Promo
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POLL : What did you think of Covert Affairs - What's the Frequency Kenneth?
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POLL : What did you think of Sanctuary - Chimera?
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POLL : What did you think of Sons of Anarchy - To Be, Part 1?
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POLL : What did you think of Body of Proof - Gross Anatomy?
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POLL : What did you think of Parenthood - Missing?
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Ringer - Episode 1.11 - Promo
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POLL : What did you think of Ringer - That's What You Get for Trying to Kill Me?
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POLL : What did you think of Raising Hope - Bro-gurt?
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The Office - Leslie David Baker debuts a single "2 Be Simple", featuring N.U.M.
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Desperate Housewives - Episode 8.09 - Putting It Together - Promo #2
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POLL : What did you think of New Girl - Bells?
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90210 - Episode 4.12 - O Holly Night - Promo
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POLL : What did you think of 90210 - Project Runaway?
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POLL : What did you think of Glee - I Kissed a Girl?
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Glee - Episode 3.08 - Hold on to Sixteen - Promo
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Justified Season 3 - Teaser #4
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The Mentalist - Episode 4.13 - Red is The New Black
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The Mentalist - Episode 4.11 - Always Bet on Red - Short Synopsis
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Pretty Little Liars - Renewed For Third Season (NOW Official!)
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Castle - Episode 4.14 - The Blue Butterfly
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Community - Episode 3.10 - Regional Holiday Music - Promotional Photos
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Switched at Birth - Winter Premiere Preview
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The Good Wife - Episode 3.10 - Parenting Made Easy - Promo
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The Killing - Michelle Forbes Back as Series Regular, Plus More Season 2 Scoop
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Retired At 35 - Danneel Ackles to guest star
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Glee - Season 3 - More on Sam's return
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The Secret Circle - Casting News - Lauren Stamile Joins Cast
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Glee - Season 3 - Casting News - Ricky Martin to Guest
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Touch - Production of the series started today
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Hart of Dixie - Episode 1.10 - Hairdos & Holidays - Extended Promo
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Eastbound & Down - Season 3 - Premiere Date Revealed
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Nikita - Episode 2.10 - Guardians - Sneak Peek
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Pan Am - UnOfficially Cancelled
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Gossip Girl - Episode 5.10 - Riding In Town Cars With Boys - Sneak Peek
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Bones - Episode 7.04 - The Male in The Mail - Sneak peeks
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Once Upon a Time - Live Twitter Chat with Josh Dallas
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Ratings News - Live+7 - 29th November 2011
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Game of Thrones - HBO to Order 2 More Seasons and Film Them Back to Back
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USA Network - Premiere Dates
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ICYMI - 29th November 2011
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Pan Am - Episode 1.10 - Kiss Kiss Bang Bang - Promotional Photos feat Ashley Green
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The Game - Season 5 - Returns on 10th Jan for 22 Episodes
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Ratings News - 29th November 2011 *Full Tables Added*
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Pan Am - Casting News - Darren Pettie get recurring role
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Out of Time - Jon Cassar to direct Pilot
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The Lying Game - Episode 1.11 - O Twin, Where Art Thou? - Promotional Photos
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Blue Bloods - Episode 2.13 - The Job - Casting Call
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Damages - Episode 4.14 - Casting Call
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The Good Wife - Episode 3.13 - Finding Mr. Bitcoin - Casting Call
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Gossip Girl - Episode 5.15 - Casting Call
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COMPLETED : Enter the SpoilerTV Our Idiot Brother Giveaway
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Castle - Episode 4.10 - Cuffed - 3 Sneak Peeks
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Two Broke Girls - Episode 1.12 - And the Pop-Up Sale - Promotional Photos
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FX Developing Four New Drama Projects
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Pretty Little Liars - Season 2 - Latest from TV Guide - 29th November 2011